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Table of Contents

  1. From the Old and New Editors
  2. David L. Rolston, Margaret B. Wan
  3. pp. iii-iv
  4. DOI: https://doi.org/10.1353/cop.2016.0017
  5. restricted access
  1. Maids, Fishermen, and Storytellers: Rewriting Marginal Characters in Early Qing Drama and Fiction
  2. Maria Franca Sibau
  3. pp. 1-27
  4. DOI: https://doi.org/10.1353/cop.2016.0008
  5. restricted access
  1. Liu Qingti’s Canine Rebirth and Her Ritual Career as the Heavenly Dog: Recasting Mulian’s Mother in Baojuan (Precious Scrolls) Recitation
  2. Xiaosu Sun
  3. pp. 28-55
  4. DOI: https://doi.org/10.1353/cop.2016.0009
  5. restricted access
  1. La réforme de l’opéra de Pékin [Peking opera reform] by Maël Renouard (review)
  2. Josh Stenberg
  3. pp. 56-63
  4. restricted access
  1. Tea in China: A Religious and Cultural History by James A. Benn (review)
  2. Peter Micic
  3. pp. 58-61
  4. restricted access
  1. Urban Politics and Cultural Capital: The Case of Chinese Opera by Ma Haili (review)
  2. Emily E. Wilcox
  3. pp. 61-63
  4. restricted access
  1. The 2015 Inaugural Shanghai Experimental Xiqu (Chinese Indigenous Theater) Festival, December 1–6
  2. Josh Stenberg
  3. pp. 64-69
  4. DOI: https://doi.org/10.1353/cop.2016.0013
  5. restricted access
  1. Two Beijing Spoken Drama Comedies Featuring Social Critique Seen in the Summer of 2014
  2. Jing Shen
  3. pp. 70-74
  4. DOI: https://doi.org/10.1353/cop.2016.0014
  5. restricted access
  1. Zhang Huoding’s Performances of Legend of the White Snake and The Jewelry Purse at David H. Koch Theatre at Lincoln Center on September 2 and 3, 2015
  2. Rose Jang
  3. pp. 75-82
  4. DOI: https://doi.org/10.1353/cop.2016.0015
  5. restricted access
  1. In Memory of Věna Hrdličková, 1925–2016
  2. Vibeke Børdahl
  3. pp. 83-88
  4. DOI: https://doi.org/10.1353/cop.2016.0016
  5. restricted access