+ MUSE Alert

In this Issue

Table of Contents

  1. Dream, Drama, Metadrama: Tang Xianzu and/in Jiang Shiquan’s Linchuan Meng (Dreams of Linchuan)
  2. Qiancheng Li
  3. pp. 1-21
  4. DOI: https://doi.org/10.1353/cop.2015.0000
  5. restricted access
  1. Teaching American Students the “Essence” of Chinese Theatre at the National Academy of Chinese Theatre Arts (Zhongguo Xiqu Xueyuan)
  2. Rose Jang
  3. pp. 22-40
  4. DOI: https://doi.org/10.1353/cop.2015.0001
  5. restricted access
  1. A Report on the Sixth International Nanxi (Southern Drama) Conference
  2. Josh Stenberg
  3. pp. 41-45
  4. DOI: https://doi.org/10.1353/cop.2015.0002
  5. restricted access
  1. The Touring Canteen: Notes from the 2014 European Tour of the Quanzhou Liyuan Theatre
  2. Josh Stenberg
  3. pp. 46-56
  4. DOI: https://doi.org/10.1353/cop.2015.0003
  5. restricted access
  1. Battles, Betrayals, and Brotherhood: Early Chinese Plays on the Three Kingdoms ed. and trans., with an intro. by Wilt L. Idema, Stephen H. West (review)
  2. Kimberly A. Besio
  3. pp. 57-61
  4. restricted access
  1. Green Peony and the Rise of the Chinese Martial Arts Novel by Margaret B. Wan (review)
  2. Wilt L. Idema
  3. pp. 61-64
  4. restricted access
  1. Wu Song Fights the Tiger: The Interaction of Oral and Written Traditions in the Chinese Novel, Drama and Storytelling by Vibeke Børdahl (review)
  2. Margaret B. Wan
  3. pp. 64-67
  4. restricted access
  1. Damei Kunqu 大美崑曲 (The great beauty of Kun opera) by Yang Shousong 楊守松 (review)
  2. Josh Stenberg
  3. pp. 67-72
  4. restricted access
  1. The American Conservatory Theater/La Jolla Playhouse Co-Production of The Orphan of Zhao
  2. Cathryn Fairlee
  3. pp. 73-77
  4. DOI: https://doi.org/10.1353/cop.2015.0004
  5. restricted access
  1. Liu Zengfu as One of the Last Connoisseurs of Jingju (Peking Opera)
  2. Xu Peng
  3. pp. 78-80
  4. DOI: https://doi.org/10.1353/cop.2015.0005
  5. restricted access