1. Introduction
  2. Hua-yuan Li Mowry
  3. pp. 1-8
  4. restricted access contents
  1. Character Design in The Peony Pavilion
  2. Wei Hua
  3. pp. 9-44
  4. restricted access contents
  1. Yuzan Ji: Evolution, Legacy and Criticism
  2. Edmond Yee
  3. pp. 45-69
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  1. Feng Menglong and the Late-Ming Articulation of Sentiment
  2. Victoria B. Cass
  3. pp. 71-84
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  1. Reconstructing Truth through Fifteen Strings of Cash
  2. Hung-nin Samuel Cheung
  3. pp. 85-96
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  1. Passion and Compassion in Feng Meng Long’s Literary World
  2. Hua-yuan Li Mowry
  3. pp. 97-120
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  1. Murder by Number: On Coincidence and Cosmological Assurance in Crime-Case Fiction
  2. Marston Anderson
  3. pp. 121-138
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  1. Festivals for Lu Xun: The “Lesser Tradition” and National Identity Construction
  2. Jon Kowallis
  3. pp. 139-158
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  1. Lao She’s Philosophy and The Philosophy of Lao Zhang
  2. Jeannette Faurot
  3. pp. 159-168
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  1. Transcendents, Sorcerers, and Women Warriors: Huanzhulouzhu’s Mountain Sword-warriors of Sichuan
  2. Robert L. Chard
  3. pp. 169-195
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  1. Occidentalism and Alterity: Native Self and Foreign Other in Chen Yingzhen and Shusaku Endo
  2. Lucien Miller
  3. pp. 197-217
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  1. The Subversive Fiction of Yu Hua
  2. Marsha L. Wagner
  3. pp. 219-243
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  1. Notes on the Chinese Modernism-Realism Debates
  2. Wendy Larson
  3. pp. 245-267
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  1. Chinese Courtship: The Huajian Ji 花箋記 in English Translation
  2. K.C. Leung
  3. pp. 269-288
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  1. Translation of a Sanqu Lyric from Ma Zhiyuan’s Dongli Yuefu
  2. Linda Wang
  3. pp. 289-295
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  1. Simplicity, Otherness, and Poetic Language
  2. David Palumbo-Liu
  3. pp. 297-311
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  1. Peter Sellars’ Avant-Garde Production of Peony Pavilion
  2. Catherine Swatek
  3. pp. 313-325
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  1. In Appreciation of Cyril Birch
  2. pp. 327-334
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  1. Cyril Birch: Scholar and Teacher
  2. pp. 335-343
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  1. The Writings of Cyril Birch
  2. pp. 339-347
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