In this Issue

Table of Contents

From the Curator's BlackBox: Zimbabwe's Journey to the Venice Biennale from 2011 to 2019

Raphael Chikukwa
pp. 1-4
restricted access

Sylvia S.J. Kennedy 1937–2019

Amy E. Futa
pp. 4-5
restricted access

Further Perspectives on Kifwebe Masquerades

Dunja Hersak
pp. 6-23
restricted access

Josy Ajiboye, the Ultimate Prankster: Political Cartoonist as Egungun

Francine Kola-Bankole
pp. 24-37
restricted access

Tristes Tropique in Jacqueline Bishop's Patchwork Aesthetics

Cheryl Sterling
pp. 38-49
restricted access

Migratory Mythopoeism: A Critical Examination of Moyo Ogundipe's Paintings

Janine A. Sytsma
pp. 50-65
restricted access

Bura Funerary Urns: Niger Terracottas: An Interpretive Limbo?

Michelle Gilbert
pp. 66-75
restricted access

The Identification of the "Bird of Prophecy" in Benin Kingdom Art

Joseph Nevadomsky
pp. 76-81
restricted access

Legacies of Biafra guest curator Louisa Egbunike Brunei Gallery, School of Oriental and African Studies January 11--March 24, 2018 (review)

Will Rea
pp. 82-84
restricted access

Hassan Musa: The Artist's Stamp curated by Elsbeth Court with Charles Gore and John Hollingworth (review)

Helena Cantone
pp. 84-87
restricted access

One: Egúngún by Kristen Windmuller-Luna (review)

Lynne Cooney
pp. 87-89
restricted access

Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa by Kathleen Bickford Berzock (review)

Amanda M. Maples
pp. 89-93
restricted access

Postcards From Africa : Photographers of the Colonial Era, Selections from the Leonard A. Lauder Postcard Archive by Christraud M. Geary (review)

Sandrine Colard
pp. 93-94
restricted access

Fire in the Hole: The Spirit Work of Fi Yi Yi and the Mandingo Warriors ed. by Rachel Breunlin (review)

Grete Viddal
pp. 95-96
restricted access