1. From the Curator's BlackBox: Zimbabwe's Journey to the Venice Biennale from 2011 to 2019
  2. Raphael Chikukwa
  3. pp. 1-4
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  1. Sylvia S.J. Kennedy 1937–2019
  2. Amy E. Futa
  3. pp. 4-5
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  1. Further Perspectives on Kifwebe Masquerades
  2. Dunja Hersak
  3. pp. 6-23
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  1. Josy Ajiboye, the Ultimate Prankster: Political Cartoonist as Egungun
  2. Francine Kola-Bankole
  3. pp. 24-37
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  1. Tristes Tropique in Jacqueline Bishop's Patchwork Aesthetics
  2. Cheryl Sterling
  3. pp. 38-49
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  1. Migratory Mythopoeism: A Critical Examination of Moyo Ogundipe's Paintings
  2. Janine A. Sytsma
  3. pp. 50-65
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  1. Bura Funerary Urns: Niger Terracottas: An Interpretive Limbo?
  2. Michelle Gilbert
  3. pp. 66-75
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  1. The Identification of the "Bird of Prophecy" in Benin Kingdom Art
  2. Joseph Nevadomsky
  3. pp. 76-81
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  1. Legacies of Biafra guest curator Louisa Egbunike Brunei Gallery, School of Oriental and African Studies January 11--March 24, 2018 (review)
  2. Will Rea
  3. pp. 82-84
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  1. Hassan Musa: The Artist's Stamp curated by Elsbeth Court with Charles Gore and John Hollingworth (review)
  2. Helena Cantone
  3. pp. 84-87
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  1. One: Egúngún by Kristen Windmuller-Luna (review)
  2. Lynne Cooney
  3. pp. 87-89
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  1. Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa by Kathleen Bickford Berzock (review)
  2. Amanda M. Maples
  3. pp. 89-93
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  1. Fire in the Hole: The Spirit Work of Fi Yi Yi and the Mandingo Warriors ed. by Rachel Breunlin (review)
  2. Grete Viddal
  3. pp. 95-96
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