1. The War of the Austrian Succession and the Masses by Henry Madin (1740–1748)
  2. Jean-Paul C. Montagnier
  3. pp. 391-419
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  1. 'The Only Thing "Womanish" is the Composer': Music at Nineteenth-Century Exhibitions of Women's Work
  2. Sarah Kirby
  3. pp. 420-446
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  1. Realism Redux: Staging 'Billy Budd' in the Age of Television
  2. Danielle Ward-Griffin
  3. pp. 447-479
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  1. 'Out of the Air': Judith Weir's Emergence in 1970S Britain, or Interpreting Creative Self-Censorship
  2. David Beard
  3. pp. 481-527
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Review Article

  1. Predicaments of Coloniality, or, Opera Studies Goes Ethno
  2. Juliana Pistorius
  3. pp. 529-539
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Reviews

  1. The Cambridge History of Medieval Music ed. by Mark Everist and Thomas Forrest Kelly (review)
  2. Joseph W. Mason
  3. pp. 540-543
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  1. Giovanni Gabrieli: Transmission and Reception of a Venetian Musical Tradition ed. by Rodolfo Baroncini, David Bryant, and Luigi Collarile (review)
  2. Tim Carter
  3. pp. 543-546
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  1. Women and Music in Sixteenth-Century Ferrara by Laurie Stras (review)
  2. Rebecca Cypess
  3. pp. 546-549
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  1. George Frideric Handel: Collected Documents ed. by Donald Burrows et al. (review)
  2. Thomas McGeary
  3. pp. 549-552
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  1. Tempesta: Stormy Music in the Eighteenth Century by Clive McClelland (review)
  2. Keith Chapin
  3. pp. 552-554
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  1. The Melodramatic Moment: Music and Theatrical Culture, 1790–1820 ed. by Katherine Hambridge and Jonathan Hicks (review)
  2. Hayley Fenn
  3. pp. 554-557
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  1. Intimacy, Performance, and the Lied in the Early Nineteenth Century by Jennifer Ronyak (review)
  2. Christopher Parton
  3. pp. 557-560
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  1. Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera by Gundula Kreuzer (review)
  2. Emily I. Dolan
  3. pp. 560-562
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  1. Brahms' Schubert-Rezeption im Wiener Kontext ed. by Otto Biba et al. (review)
  2. Reuben Phillips
  3. pp. 562-565
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  1. Musical Theatre in Europe 1830–1945 ed. by Michela Niccolai and Clair Rowden (review)
  2. Sarah Gutsche-Miller
  3. pp. 565-567
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  1. Samuel Beckett, Repetition and Modern Music by John McGrath (review)
  2. Edward Campbell
  3. pp. 567-570
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  1. The Doctor Faustus Dossier: Arnold Schoenberg, Thomas Mann and their Contemporaries, 1930–1951 ed. by E. Randol Schoenberg (review)
  2. Mark Berry
  3. pp. 570-572
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  1. Music, Modern Culture, and the Critical Ear ed. by Nicholas Attfield and Ben Winters (review)
  2. Daniel Elphick
  3. pp. 572-575
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  1. Opera in Postwar Venice: Cultural Politics and the Avant-Garde by Harriet Boyd-Bennett (review)
  2. Ben Earle
  3. pp. 575-578
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  1. Carter by David Schiff (review)
  2. Deniz Ertan
  3. pp. 578-581
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  1. The Cambridge Encyclopedia of Historical Performance in Music ed. by Colin Lawson and Robin Stowell (review)
  2. Clive Brown
  3. pp. 581-583
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  1. Coming to Terms with our Musical Past: An Essay in Mozart and Modernist Aesthetics ed. by Edmund J. Goehring (review)
  2. Marshall Brown
  3. pp. 583-586
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  1. The Origins of Musicality by Henkjan Honing (review)
  2. Adam Harper
  3. pp. 586-589
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The Westrup Prize

  1. The Westrup Prize
  2. p. 590
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Recipients of Music Letters Awards

  1. Recipients of 'Music & Letters' Awards
  2. p. 590
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Music Letters Awards

  1. 'Music & Letters' Awards
  2. p. 593
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Authors of Articles in this Issue

  1. Authors of Articles in this Issue
  2. p. 593
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Books Received

  1. Books Received
  2. pp. 594-595
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