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In this Issue

Table of Contents

Aticles

  1. Erzählungen vom kleinen Widerstand im großen Kino. Hans Falladas Jeder stirbt für sich allein (1947) und Alfred Vohrers Verfilmung
  2. Sandra Beck
  3. pp. 1-21
  4. restricted access
  1. The Allegorical Image and Presence in Paul Celan’s “Wortaufschüttung”
  2. Julian Johannes Immanuel Koch
  3. pp. 22-36
  4. restricted access
  1. The Missing “Confessions of a Plagiarist”: Intermedial Borrowings in Friedrich Dürrenmatt’s Der Besuch der alten Dame (1956)
  2. Alexandra Ludewig
  3. pp. 37-54
  4. restricted access
  1. Facing East: Orientalism and Anti-Semitism in Heine’s Hebräische Melodien
  2. Gabriel Cooper
  3. pp. 55-74
  4. restricted access

Book Reviews

  1. Fritz Bennewitz in India: Intercultural Theatre with Brecht and Shakespeare by Joerg Esleben (review)
  2. Pascale LaFountain
  3. pp. 75-77
  4. restricted access
  1. Screening Art: Modernist Aesthetics and the Socialist Imaginary in East German Cinema by Seán Allan (review)
  2. Kyle Frackman
  3. pp. 80-82
  4. restricted access
  1. White Rebels in Black: German Appropriation of Black Popular Culture by Priscilla Layne (review)
  2. Andrew Wright Hurley
  3. pp. 82-84
  4. restricted access