In this Issue

Table of Contents

Erzählungen vom kleinen Widerstand im großen Kino. Hans Falladas Jeder stirbt für sich allein (1947) und Alfred Vohrers Verfilmung

Sandra Beck
pp. 1-21
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The Allegorical Image and Presence in Paul Celan’s “Wortaufschüttung”

Julian Johannes Immanuel Koch
pp. 22-36
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The Missing “Confessions of a Plagiarist”: Intermedial Borrowings in Friedrich Dürrenmatt’s Der Besuch der alten Dame (1956)

Alexandra Ludewig
pp. 37-54
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Facing East: Orientalism and Anti-Semitism in Heine’s Hebräische Melodien

Gabriel Cooper
pp. 55-74
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Fritz Bennewitz in India: Intercultural Theatre with Brecht and Shakespeare by Joerg Esleben (review)

Pascale LaFountain
pp. 75-77
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The Technological Introject: Friedrich Kittler between Implementation and the Incalculable ed. by Jeffrey Champlin and Antje Pfannkuchen (review)

Peter Krapp
pp. 77-79
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Screening Art: Modernist Aesthetics and the Socialist Imaginary in East German Cinema by Seán Allan (review)

Kyle Frackman
pp. 80-82
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White Rebels in Black: German Appropriation of Black Popular Culture by Priscilla Layne (review)

Andrew Wright Hurley
pp. 82-84
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