1. Erzählungen vom kleinen Widerstand im großen Kino. Hans Falladas Jeder stirbt für sich allein (1947) und Alfred Vohrers Verfilmung
  2. Sandra Beck
  3. pp. 1-21
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  1. The Allegorical Image and Presence in Paul Celan’s “Wortaufschüttung”
  2. Julian Johannes Immanuel Koch
  3. pp. 22-36
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  1. The Missing “Confessions of a Plagiarist”: Intermedial Borrowings in Friedrich Dürrenmatt’s Der Besuch der alten Dame (1956)
  2. Alexandra Ludewig
  3. pp. 37-54
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  1. Facing East: Orientalism and Anti-Semitism in Heine’s Hebräische Melodien
  2. Gabriel Cooper
  3. pp. 55-74
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  1. Fritz Bennewitz in India: Intercultural Theatre with Brecht and Shakespeare by Joerg Esleben (review)
  2. Pascale LaFountain
  3. pp. 75-77
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  1. The Technological Introject: Friedrich Kittler between Implementation and the Incalculable ed. by Jeffrey Champlin and Antje Pfannkuchen (review)
  2. Peter Krapp
  3. pp. 77-79
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  1. Screening Art: Modernist Aesthetics and the Socialist Imaginary in East German Cinema by Seán Allan (review)
  2. Kyle Frackman
  3. pp. 80-82
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  1. White Rebels in Black: German Appropriation of Black Popular Culture by Priscilla Layne (review)
  2. Andrew Wright Hurley
  3. pp. 82-84
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