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Table of Contents

  1. Introduction
  2. Sara Freeman
  3. pp. 1-4
  4. DOI: https://doi.org/10.1353/ths.2019.0000
  5. restricted access
  1. Hanswurst's Public: Defending the Comic in the Theatres of Eighteenth-Century Vienna
  2. Elizabeth Coen
  3. pp. 7-27
  4. DOI: https://doi.org/10.1353/ths.2019.0001
  5. restricted access
  1. "This Affair of a Theatre": The Boston Theatre Controversy and the Americanization of the Stage
  2. Bridget McFarland
  3. pp. 28-48
  4. DOI: https://doi.org/10.1353/ths.2019.0002
  5. restricted access
  1. From Moscow to Simferopol: How the Russian Cubo-Futurists Accessed the Provinces
  2. Ryan Tvedt
  3. pp. 49-68
  4. DOI: https://doi.org/10.1353/ths.2019.0003
  5. restricted access
  1. So Long Ago I Can't Remember: GAle GAtes et al. and the 1990s Immersive Theatre
  2. Daniella Vinitski Mooney
  3. pp. 69-87
  4. DOI: https://doi.org/10.1353/ths.2019.0004
  5. restricted access
  1. Site-Based Theatre: The Beginning
  2. Penelope Cole
  3. pp. 91-103
  4. DOI: https://doi.org/10.1353/ths.2019.0005
  5. restricted access
  1. Becoming the Mob: Mike Brookes and Mike Pearson's Coriolan/us
  2. Penelope Cole
  3. pp. 104-116
  4. DOI: https://doi.org/10.1353/ths.2019.0006
  5. restricted access
  1. A Walk in the Park: David Levine's Private Moment and Ethical Participation in Site-Based Performance
  2. Sean Bartley
  3. pp. 117-132
  4. DOI: https://doi.org/10.1353/ths.2019.0007
  5. restricted access
  1. "I Want You to Feel Uncomfortable": Adapting Participation in A 24-Decade History of Popular Music at San Francisco's Curran Theatre
  2. David Bisaha
  3. pp. 133-148
  4. DOI: https://doi.org/10.1353/ths.2019.0008
  5. restricted access
  1. Navigating Neverland and Wonderland: Audience as Spect-Character
  2. Colleen Rua
  3. pp. 149-165
  4. DOI: https://doi.org/10.1353/ths.2019.0009
  5. restricted access
  1. Ethics and Site-Based Theatre: A Curated Discussion
  2. Guillermo Aviles-Rodriguez, Penelope Cole, Rand Harmon, Erin B. Mee
  3. pp. 166-195
  4. DOI: https://doi.org/10.1353/ths.2019.0010
  5. restricted access
  1. Inventing the Tramp: The Early Tramp Comic on the Variety Stage
  2. Michelle Granshaw
  3. pp. 199-208
  4. DOI: https://doi.org/10.1353/ths.2019.0011
  5. restricted access
  1. Deborah and Her Sisters: How One Nineteenth-Century Melodrama and a Host of Celebrated Actresses Put Judaism on the World Stage by Jonathan M. Hess (review)
  2. Joseph R. D'Ambrosi
  3. pp. 211-213
  4. DOI: https://doi.org/10.1353/ths.2019.0012
  5. restricted access
  1. Shakespeare's Dramatic Persons by Travis Curtright (review)
  2. James Demasi
  3. pp. 213-215
  4. DOI: https://doi.org/10.1353/ths.2019.0013
  5. restricted access
  1. The Disney Musical on Stage and Screen: Critical Approaches from "Snow White" to "Frozen." ed. by George Rodosthenous (review)
  2. Kathryn Edney
  3. pp. 215-218
  4. DOI: https://doi.org/10.1353/ths.2019.0014
  5. restricted access
  1. Traveler, There Is No Road: Theatre, the Spanish Civil War, and the Decolonial Imagination in the Americas by Lisa Jackson-Schebetta (review)
  2. Andrew Gibb
  3. pp. 218-220
  4. DOI: https://doi.org/10.1353/ths.2019.0015
  5. restricted access
  1. Lanford Wilson: Early Stories, Sketches, and Poems ed. by David A. Crespy (review)
  2. Jeff Grace
  3. pp. 220-222
  4. DOI: https://doi.org/10.1353/ths.2019.0016
  5. restricted access
  1. A Critical Companion to Lynn Nottage ed. by Jocelyn L. Buckner (review)
  2. Stefanie A. Jones
  3. pp. 223-225
  4. DOI: https://doi.org/10.1353/ths.2019.0017
  5. restricted access
  1. Just One of the Boys: Female-to-Male Cross-Dressing on the American Variety Stage by Gilliam M. Rodger (review)
  2. Franklin J. Lasik
  3. pp. 225-228
  4. DOI: https://doi.org/10.1353/ths.2019.0018
  5. restricted access
  1. A Theater of Diplomacy: International Relations and the Performing Arts in Early Modern France by Ellen R. Welch (review)
  2. Felicia Hardison Londré
  3. pp. 228-230
  4. DOI: https://doi.org/10.1353/ths.2019.0019
  5. restricted access
  1. Must Close Saturday: The Decline and Fall of the British Musical Flop by Adrian Wright (review)
  2. Rae Mansfield
  3. pp. 230-232
  4. DOI: https://doi.org/10.1353/ths.2019.0020
  5. restricted access
  1. Visions of Tragedy in Modern American Drama ed. by David Palmer (review)
  2. Charissa Menefee
  3. pp. 232-234
  4. DOI: https://doi.org/10.1353/ths.2019.0021
  5. restricted access
  1. Adapturgy: The Dramaturg's Art and Theatrical Adaptation by Jane Barnette (review)
  2. Maria Mytilinaki Kennedy
  3. pp. 234-236
  4. DOI: https://doi.org/10.1353/ths.2019.0022
  5. restricted access
  1. Broadway Rhythm: Imaging the City in Song by Dominic Symonds (review)
  2. Ellen M. Peck
  3. pp. 237-239
  4. DOI: https://doi.org/10.1353/ths.2019.0023
  5. restricted access
  1. Culture, Democracy and the Right to Make Art: The British Community Arts Movement ed. by Alison Jeffers and Gerri Moriarty (review)
  2. Ben Phelan
  3. pp. 239-241
  4. DOI: https://doi.org/10.1353/ths.2019.0024
  5. restricted access
  1. Thornton Wilder in Collaboration: Collected Essays on His Drama and Fiction ed. by Jackson R. Bryer, Judith P. Hallett, and Edyta K. Oczkowicz (review)
  2. Scott Proudfit
  3. pp. 241-244
  4. DOI: https://doi.org/10.1353/ths.2019.0025
  5. restricted access
  1. Moment Work: Tectonic Theater Project's Process of Devising Theater by Moisés Kaufman and Barbara Pitts McAdams et al. (review)
  2. Richard Sautter
  3. pp. 244-246
  4. DOI: https://doi.org/10.1353/ths.2019.0026
  5. restricted access
  1. Women, Collective Creation, and Devised Performance: The Rise of Women Theatre Artists in the Twentieth and Twenty-First Centuries ed. by Kathryn Mederos Syssoyeva and Scott Proudfit (review)
  2. Francesca Spedalieri
  3. pp. 246-249
  4. DOI: https://doi.org/10.1353/ths.2019.0027
  5. restricted access
  1. Books Received 2017—2019
  3. pp. 251-253
  4. DOI: https://doi.org/10.1353/ths.2019.0028
  5. restricted access
  1. Contributors
  3. pp. 255-257
  4. DOI: https://doi.org/10.1353/ths.2019.0029
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