Project MUSE - Theatre History Studies-Volume 38, 2019

Introduction

Sara Freeman

pp. 1-4

DOI: https://doi.org/10.1353/ths.2019.0000

Hanswurst's Public: Defending the Comic in the Theatres of Eighteenth-Century Vienna

Elizabeth Coen

pp. 7-27

DOI: https://doi.org/10.1353/ths.2019.0001

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"This Affair of a Theatre": The Boston Theatre Controversy and the Americanization of the Stage

Bridget McFarland

pp. 28-48

DOI: https://doi.org/10.1353/ths.2019.0002

From Moscow to Simferopol: How the Russian Cubo-Futurists Accessed the Provinces

Ryan Tvedt

pp. 49-68

DOI: https://doi.org/10.1353/ths.2019.0003

So Long Ago I Can't Remember: GAle GAtes et al. and the 1990s Immersive Theatre

Daniella Vinitski Mooney

pp. 69-87

DOI: https://doi.org/10.1353/ths.2019.0004

Site-Based Theatre: The Beginning

Penelope Cole

pp. 91-103

DOI: https://doi.org/10.1353/ths.2019.0005

Becoming the Mob: Mike Brookes and Mike Pearson's Coriolan/us

Penelope Cole

pp. 104-116

DOI: https://doi.org/10.1353/ths.2019.0006

A Walk in the Park: David Levine's Private Moment and Ethical Participation in Site-Based Performance

Sean Bartley

pp. 117-132

DOI: https://doi.org/10.1353/ths.2019.0007

"I Want You to Feel Uncomfortable": Adapting Participation in A 24-Decade History of Popular Music at San Francisco's Curran Theatre

David Bisaha

pp. 133-148

DOI: https://doi.org/10.1353/ths.2019.0008

Navigating Neverland and Wonderland: Audience as Spect-Character

Colleen Rua

pp. 149-165

DOI: https://doi.org/10.1353/ths.2019.0009

Ethics and Site-Based Theatre: A Curated Discussion

Guillermo Aviles-Rodriguez, Penelope Cole, Rand Harmon, Erin B. Mee

pp. 166-195

DOI: https://doi.org/10.1353/ths.2019.0010

Inventing the Tramp: The Early Tramp Comic on the Variety Stage

Michelle Granshaw

pp. 199-208

DOI: https://doi.org/10.1353/ths.2019.0011

Deborah and Her Sisters: How One Nineteenth-Century Melodrama and a Host of Celebrated Actresses Put Judaism on the World Stage by Jonathan M. Hess (review)

Joseph R. D'Ambrosi

pp. 211-213

DOI: https://doi.org/10.1353/ths.2019.0012

Shakespeare's Dramatic Persons by Travis Curtright (review)

James Demasi

pp. 213-215

DOI: https://doi.org/10.1353/ths.2019.0013

The Disney Musical on Stage and Screen: Critical Approaches from "Snow White" to "Frozen." ed. by George Rodosthenous (review)

Kathryn Edney

pp. 215-218

DOI: https://doi.org/10.1353/ths.2019.0014

Traveler, There Is No Road: Theatre, the Spanish Civil War, and the Decolonial Imagination in the Americas by Lisa Jackson-Schebetta (review)

Andrew Gibb

pp. 218-220

DOI: https://doi.org/10.1353/ths.2019.0015

Lanford Wilson: Early Stories, Sketches, and Poems ed. by David A. Crespy (review)

Jeff Grace

pp. 220-222

DOI: https://doi.org/10.1353/ths.2019.0016

A Critical Companion to Lynn Nottage ed. by Jocelyn L. Buckner (review)

Stefanie A. Jones

pp. 223-225

DOI: https://doi.org/10.1353/ths.2019.0017

Just One of the Boys: Female-to-Male Cross-Dressing on the American Variety Stage by Gilliam M. Rodger (review)

Franklin J. Lasik

pp. 225-228

DOI: https://doi.org/10.1353/ths.2019.0018

A Theater of Diplomacy: International Relations and the Performing Arts in Early Modern France by Ellen R. Welch (review)

Felicia Hardison Londré

pp. 228-230

DOI: https://doi.org/10.1353/ths.2019.0019

Must Close Saturday: The Decline and Fall of the British Musical Flop by Adrian Wright (review)

Rae Mansfield

pp. 230-232

DOI: https://doi.org/10.1353/ths.2019.0020

Visions of Tragedy in Modern American Drama ed. by David Palmer (review)

Charissa Menefee

pp. 232-234

DOI: https://doi.org/10.1353/ths.2019.0021

Adapturgy: The Dramaturg's Art and Theatrical Adaptation by Jane Barnette (review)

Maria Mytilinaki Kennedy

pp. 234-236

DOI: https://doi.org/10.1353/ths.2019.0022

Broadway Rhythm: Imaging the City in Song by Dominic Symonds (review)

Ellen M. Peck

pp. 237-239

DOI: https://doi.org/10.1353/ths.2019.0023

Culture, Democracy and the Right to Make Art: The British Community Arts Movement ed. by Alison Jeffers and Gerri Moriarty (review)

Ben Phelan

pp. 239-241

DOI: https://doi.org/10.1353/ths.2019.0024

Thornton Wilder in Collaboration: Collected Essays on His Drama and Fiction ed. by Jackson R. Bryer, Judith P. Hallett, and Edyta K. Oczkowicz (review)

Scott Proudfit

pp. 241-244

DOI: https://doi.org/10.1353/ths.2019.0025

Moment Work: Tectonic Theater Project's Process of Devising Theater by Moisés Kaufman and Barbara Pitts McAdams et al. (review)

Richard Sautter

pp. 244-246

DOI: https://doi.org/10.1353/ths.2019.0026

Women, Collective Creation, and Devised Performance: The Rise of Women Theatre Artists in the Twentieth and Twenty-First Centuries ed. by Kathryn Mederos Syssoyeva and Scott Proudfit (review)

Francesca Spedalieri

pp. 246-249

DOI: https://doi.org/10.1353/ths.2019.0027

Books Received 2017—2019

pp. 251-253

DOI: https://doi.org/10.1353/ths.2019.0028

Contributors

pp. 255-257

DOI: https://doi.org/10.1353/ths.2019.0029

ISSN	2166-9953
Print ISSN	0733-2033
Launched on MUSE	2020-02-07
Open Access	No

Theatre History Studies

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