1. Preface
  2. Philip Sicker, Moshe Gold
  3. pp. ix-xv
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  1. The Ha in Hat: Joyce's Ulysses
  2. William Brevda
  3. pp. 3-32
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  1. Riffing on Shakespeare: James Joyce, Stephen Dedalus, and the Avant-Garde Theory of Literary Creation
  2. Irina D. Rasmussen
  3. pp. 33-73
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  1. Love's Old Sweet Songs: How Music Scores Memory in the "Sirens" and "Penelope" Episodes in Ulysses
  2. Patrick Reilly
  3. pp. 74-91
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  1. "A Country Far Away from This Country": Joyce's Egypt
  2. Tim Conley
  3. pp. 92-105
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  1. Mirroring and Mummery: Seeing Ourselves As We Would Like to See Others Seeing Us
  2. John Gordon
  3. pp. 106-116
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  1. How I Met Ulysses, Dublin 1969
  2. Robert J. Seidman
  3. pp. 117-124
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  1. Paul Léon and the Publication of The Mime of Mick, Nick and the Maggies
  2. Luca Crispi
  3. pp. 125-161
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  1. Discrepant Accidents and Accents: Social Distinction, Metro-Colonial Mimesis, and the Pseudo-Catharsis of Joyce's "Grace"
  2. Peter C. L. Nohrnberg
  3. pp. 162-209
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  1. Anima in "Araby": Courtship of the Knight-Errant as a Jung Man: An Archetypal Interpretation
  2. Richard J. Gerber
  3. pp. 210-228
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  1. Unfinished Sentences in Matthew Eberle's Film James Joyce's "The Sisters"
  2. Tom Ue
  3. pp. 231-240
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  1. The Image of Mallarmé in "Scylla and Charybdis"
  2. Thomas J. Kenny
  3. pp. 241-245
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  1. Contributors
  2. pp. 247-249
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