In this Issue

Table of Contents

Eunuchs in London Theatre

Anne Greenfield
pp. 1-29
DOI: https://doi.org/10.1353/cdr.2019.0000
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Indigeneity and Immigration in Susan Glaspell’s Inheritors

James H. Cox, Alexander Pettit
pp. 31-58
DOI: https://doi.org/10.1353/cdr.2019.0001
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Performing Ancestry: Reading August Wilson’s The Piano Lesson as a Performative Neo-Slave Narrative

Patrick Maley
pp. 59-83
DOI: https://doi.org/10.1353/cdr.2019.0002
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Impregnable Towers and Pregnable Maidens in Early Modern English Drama

Lindsay Ann Reid
pp. 85-108
DOI: https://doi.org/10.1353/cdr.2019.0003
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The American Reception of Tourneur’s Volpone in the 1940s

Purificación Ribes
pp. 109-135
DOI: https://doi.org/10.1353/cdr.2019.0004
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Antitheatricality and the Body Public by Lisa A. Freeman (review)

Logan J. Connors
pp. 137-140
DOI: https://doi.org/10.1353/cdr.2019.0005
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Theatrical Reality: Space, Embodiment and Empathy in Performance by Campbell Edinborough (review)

Amy Cook
pp. 140-143
DOI: https://doi.org/10.1353/cdr.2019.0006
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The Translator on Stage by Geraldine Brodie (review)

Melanie Dreyer-Lude
pp. 143-146
DOI: https://doi.org/10.1353/cdr.2019.0007
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The Director’s Prism: E. T. A. Hoffmann and the Russian Theatrical Avant-Garde by Dassia N. Posner (review)

James Fisher
pp. 146-149
DOI: https://doi.org/10.1353/cdr.2019.0008
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Edo Kabuki in Transition: From the Worlds of the Samurai to the Vengeful Female Ghost by Satoko Shimazaki (review)

Maki Isaka
pp. 149-153
DOI: https://doi.org/10.1353/cdr.2019.0009
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The Civic Cycles: Artisan Drama and Identity in Premodern England by Nicole R. Rice, Margaret Pappano (review)

Emma Lipton
pp. 153-156
DOI: https://doi.org/10.1353/cdr.2019.0010
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Women on Southern Stages, 1800–1865: Performance, Gender and Identity in a Golden Age of American theatre by Robin O. Warren (review)

Heather S. Nathans
pp. 156-158
DOI: https://doi.org/10.1353/cdr.2019.0011
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Aristophanes and the Cloak of Comedy: Affect, Aesthetics, and the Canon by Mario Telò (review)

Anna Peterson
pp. 158-161
DOI: https://doi.org/10.1353/cdr.2019.0012
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Verse Drama in England, 1900–2015: Art, Modernity and the National Stage by Irene Morra (review)

Kayla McKinney Wiggins
pp. 161-164
DOI: https://doi.org/10.1353/cdr.2019.0013
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Brief Notices

pp. 165-168
DOI: https://doi.org/10.1353/cdr.2019.0014
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Contributors

pp. 169-172
DOI: https://doi.org/10.1353/cdr.2019.0015
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