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Table of Contents

  1. Eunuchs in London Theatre
  2. Anne Greenfield
  3. pp. 1-29
  4. DOI: https://doi.org/10.1353/cdr.2019.0000
  5. restricted access
  1. Indigeneity and Immigration in Susan Glaspell’s Inheritors
  2. James H. Cox, Alexander Pettit
  3. pp. 31-58
  4. DOI: https://doi.org/10.1353/cdr.2019.0001
  5. restricted access
  1. Performing Ancestry: Reading August Wilson’s The Piano Lesson as a Performative Neo-Slave Narrative
  2. Patrick Maley
  3. pp. 59-83
  4. DOI: https://doi.org/10.1353/cdr.2019.0002
  5. restricted access
  1. Impregnable Towers and Pregnable Maidens in Early Modern English Drama
  2. Lindsay Ann Reid
  3. pp. 85-108
  4. DOI: https://doi.org/10.1353/cdr.2019.0003
  5. restricted access
  1. The American Reception of Tourneur’s Volpone in the 1940s
  2. Purificación Ribes
  3. pp. 109-135
  4. DOI: https://doi.org/10.1353/cdr.2019.0004
  5. restricted access
  1. Antitheatricality and the Body Public by Lisa A. Freeman (review)
  2. Logan J. Connors
  3. pp. 137-140
  4. DOI: https://doi.org/10.1353/cdr.2019.0005
  5. restricted access
  1. Theatrical Reality: Space, Embodiment and Empathy in Performance by Campbell Edinborough (review)
  2. Amy Cook
  3. pp. 140-143
  4. DOI: https://doi.org/10.1353/cdr.2019.0006
  5. restricted access
  1. The Translator on Stage by Geraldine Brodie (review)
  2. Melanie Dreyer-Lude
  3. pp. 143-146
  4. DOI: https://doi.org/10.1353/cdr.2019.0007
  5. restricted access
  1. The Director’s Prism: E. T. A. Hoffmann and the Russian Theatrical Avant-Garde by Dassia N. Posner (review)
  2. James Fisher
  3. pp. 146-149
  4. DOI: https://doi.org/10.1353/cdr.2019.0008
  5. restricted access
  1. Edo Kabuki in Transition: From the Worlds of the Samurai to the Vengeful Female Ghost by Satoko Shimazaki (review)
  2. Maki Isaka
  3. pp. 149-153
  4. DOI: https://doi.org/10.1353/cdr.2019.0009
  5. restricted access
  1. The Civic Cycles: Artisan Drama and Identity in Premodern England by Nicole R. Rice, Margaret Pappano (review)
  2. Emma Lipton
  3. pp. 153-156
  4. DOI: https://doi.org/10.1353/cdr.2019.0010
  5. restricted access
  1. Women on Southern Stages, 1800–1865: Performance, Gender and Identity in a Golden Age of American theatre by Robin O. Warren (review)
  2. Heather S. Nathans
  3. pp. 156-158
  4. DOI: https://doi.org/10.1353/cdr.2019.0011
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  1. Aristophanes and the Cloak of Comedy: Affect, Aesthetics, and the Canon by Mario Telò (review)
  2. Anna Peterson
  3. pp. 158-161
  4. DOI: https://doi.org/10.1353/cdr.2019.0012
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  1. Verse Drama in England, 1900–2015: Art, Modernity and the National Stage by Irene Morra (review)
  2. Kayla McKinney Wiggins
  3. pp. 161-164
  4. DOI: https://doi.org/10.1353/cdr.2019.0013
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  1. Brief Notices
  3. pp. 165-168
  4. DOI: https://doi.org/10.1353/cdr.2019.0014
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  1. Contributors
  3. pp. 169-172
  4. DOI: https://doi.org/10.1353/cdr.2019.0015
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