1. Editorial Comment: Water
  2. E.J. Westlake
  3. pp. xi-xiii
  4. DOI: 10.1353/tj.2019.0091
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  1. The Rise and Fall of Modern Water: From Staging Abstraction to Performing Place
  2. Stephen Scott-Bottoms
  3. pp. 415-435
  4. DOI: 10.1353/tj.2019.0092
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  1. The Sea Is Not a Highway: Performing Maritime Histories in the Not-Quite-Global City
  2. Ella Parry-Davies
  3. pp. 437-453
  4. DOI: 10.1353/tj.2019.0093
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  1. Archipelagic Performance: Scenes from Maritime Southeast Asia
  2. Paul Rae
  3. pp. 455-473
  4. DOI: 10.1353/tj.2019.0094
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  1. Wet Ontology, Moby-Dick, and the Oceanic in Performance
  2. Maurya Wickstrom
  3. pp. 475-491
  4. DOI: 10.1353/tj.2019.0095
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  1. Valley of the Heart dir. by Luis Valdez (review)
  2. Dorinne Kondo
  3. pp. 493-495
  4. DOI: 10.1353/tj.2019.0122
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  1. Dr. Atomic by John Adams and Peter Sellars (review)
  2. Andrew Martinez
  3. pp. 495-496
  4. DOI: 10.1353/tj.2019.0098
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  1. The Thanksgiving Play by Larissa FastHorse (review)
  2. Danielle Drees
  3. pp. 496-498
  4. DOI: 10.1353/tj.2019.0109
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  1. La Havana Madrid by Sandra Delgado (review)
  2. David Román
  3. pp. 498-500
  4. DOI: 10.1353/tj.2019.0104
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  1. Noura by Heather Raffo (review)
  2. Sharon L. Green
  3. pp. 500-502
  4. DOI: 10.1353/tj.2019.0118
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  1. The Jungle by Joe Murphy and Joe Robertson (review)
  2. Karie Miller
  3. pp. 502-504
  4. DOI: 10.1353/tj.2019.0103
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  1. One Minute and Thirteen Seconds by Bahman Abbāspour and Mohammad Charmshir (review)
  2. Somayeh Khani
  3. pp. 505-506
  4. DOI: 10.1353/tj.2019.0097
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  1. The Band'S Visit by Itamar Moses (review)
  2. Sharon Aronson-Lehavi
  3. pp. 506-508
  4. DOI: 10.1353/tj.2019.0117
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  1. Lights Out: Nat "King" Cole by Colman Domingo and Patricia McGregor (review)
  2. Lisa B. Thompson
  3. pp. 508-510
  4. DOI: 10.1353/tj.2019.0106
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  1. Company by Stephen Sondheim (review)
  2. Rachel Evans
  3. pp. 510-512
  4. DOI: 10.1353/tj.2019.0110
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  1. Network by Lee Hall (review)
  2. John McCaslin-Doyle
  3. pp. 512-514
  4. DOI: 10.1353/tj.2019.0111
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  1. Hadestown by Anaïs Mitchell (review)
  2. Dan Venning
  3. pp. 514-515
  4. DOI: 10.1353/tj.2019.0116
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  1. Gem of the Ocean by August Wilson, and: How I Learned What I Learned by August Wilson (review)
  2. Patrick Maley
  3. pp. 516-517
  4. DOI: 10.1353/tj.2019.0124
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  1. Macbeth by William Shakespeare (review)
  2. Horacio Sierra
  3. pp. 517-520
  4. DOI: 10.1353/tj.2019.0119
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  1. The Masters of the Revels and Elizabeth 1's Court Theatre by W. R. Streitberger (review)
  2. Janet Clare
  3. pp. 521-522
  4. DOI: 10.1353/tj.2019.0121
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  1. Ruins: Classical Theater and Broken Memory by Odai Johnson (review)
  2. Erika L. Weiberg
  3. pp. 522-523
  4. DOI: 10.1353/tj.2019.0115
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  1. The Music of Tragedy: Performance and Imagination in Euripidean Theater by Naomi A. Weiss (review)
  2. Ava Shirazi
  3. pp. 523-524
  4. DOI: 10.1353/tj.2019.0123
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  1. Medieval Theatre Performance: Actors, Dancers, Automata and their Audiences ed. by Philip Butterworth and Katie Normington (review)
  2. Daisy Black
  3. pp. 525-526
  4. DOI: 10.1353/tj.2019.0100
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  1. Shakespeare and the 'Live' Theatre Broadcast Experience ed. by Pascale Aebischer, Susanne Greenhalgh, and Laurie Osborne (review)
  2. Anthony Walker-Cook
  3. pp. 526-527
  4. DOI: 10.1353/tj.2019.0099
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  1. Stage Directions and Shakespearean Theatre ed. by Sarah Dustagheer and Gillian Woods (review)
  2. Derek Dunne
  3. pp. 527-528
  4. DOI: 10.1353/tj.2019.0107
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  1. Baroque, Venice, Theatre, Philosophy by Will Daddario (review)
  2. Spencer Golub
  3. pp. 529-530
  4. DOI: 10.1353/tj.2019.0102
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  1. Performing Psychologies: Imagination, Creativity and Dramas of the Mind ed. by Nicola Shaughnessy and Philip Barnard (review)
  2. Carla Neuss
  3. pp. 530-531
  4. DOI: 10.1353/tj.2019.0120
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  1. Performing Trauma in Central Africa: Shadows of Empire by Laura Edmondson (review)
  2. Loren Kruger
  3. pp. 531-532
  4. DOI: 10.1353/tj.2019.0108
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  1. Staging the Spanish Golden Age: Translation and Performance by Kathleen Jeffs (review)
  2. Catherine Larson
  3. pp. 532-534
  4. DOI: 10.1353/tj.2019.0114
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  1. The Rise of Cantonese Opera by Wing Chung Ng (review)
  2. Sai-Shing Yung
  3. pp. 534-535
  4. DOI: 10.1353/tj.2019.0101
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  1. Performance, Feminism and Affect in Neoliberal Times ed. by Elin Diamond, Denise Varney, and Candice Amich (review)
  2. Alex Ferrone
  3. pp. 535-537
  4. DOI: 10.1353/tj.2019.0105
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  1. Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval by Saidiya Hartman (review)
  2. Isaiah Matthew Wooden
  3. pp. 537-538
  4. DOI: 10.1353/tj.2019.0112
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  1. Audience as Performer: The Changing role of Theatre Audiences in the Twenty-First Century by Caroline Heim, and: Locating the Audience: How People Found Value in National Theatre Wales by Kirsty Sedgman (review)
  2. Matthew Franks
  3. pp. 538-540
  4. DOI: 10.1353/tj.2019.0113
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  1. Index To Volume 71
  3. pp. 545-550
  4. DOI: 10.1353/tj.2019.0096
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  1. Holding Back the River
  2. Stephen Scott-Bottoms
  3. pp. E-61-E-67
  4. DOI: 10.1353/tj.2019.0089
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  1. We Put the Tape Recorder on and Thought about the Sea: A Studio Visit with Karine Wehbé
  2. Ella Parry-Davies
  3. pp. E-69-E-72
  4. DOI: 10.1353/tj.2019.0090
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