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In this Issue

Table of Contents

  1. The Bear
  2. Beulah Amsterdam
  3. pp. 7-12
  4. DOI: https://doi.org/10.1353/plo.2020.0022
  5. restricted access
  1. Mostly Married, Alone at Night
  2. Erin Adair-Hodges
  3. p. 13
  4. DOI: https://doi.org/10.1353/plo.2020.0001
  5. restricted access
  1. Is There Any More of That
  2. Janan Alexandra
  3. pp. 14-15
  4. DOI: https://doi.org/10.1353/plo.2020.0032
  5. restricted access
  1. Indirect Light
  2. Malachi Black
  3. pp. 16-17
  4. DOI: https://doi.org/10.1353/plo.2020.0044
  5. restricted access
  1. An Optimistic Engineer
  2. Nick Arvin
  3. pp. 18-29
  4. DOI: https://doi.org/10.1353/plo.2020.0048
  5. restricted access
  1. Say Forgiveness
  2. Conor Bracken
  3. pp. 30-31
  4. DOI: https://doi.org/10.1353/plo.2020.0017
  5. restricted access
  1. Contender
  2. Traci Brimhall
  3. pp. 32-33
  4. DOI: https://doi.org/10.1353/plo.2020.0056
  5. restricted access
  1. Last Things
  2. Stephen Browning
  3. p. 34
  4. DOI: https://doi.org/10.1353/plo.2020.0053
  5. restricted access
  1. Another Death: ellipsis
  2. Ferenc Barnás
  3. pp. 35-48
  4. DOI: https://doi.org/10.1353/plo.2020.0000
  5. restricted access
  1. Mystery Music
  2. Eric Burger
  3. p. 49
  4. DOI: https://doi.org/10.1353/plo.2020.0003
  5. restricted access
  1. The Plows
  2. Grady Chambers
  3. p. 50
  4. DOI: https://doi.org/10.1353/plo.2020.0028
  5. restricted access
  1. Highlights of the Low Lights
  2. Jim Daniels
  3. p. 51
  4. DOI: https://doi.org/10.1353/plo.2020.0035
  5. restricted access
  1. Once a River
  2. Daryl Farmer
  3. pp. 52-61
  4. DOI: https://doi.org/10.1353/plo.2020.0010
  5. restricted access
  1. Why I Think of Jungle Crows
  2. Chelsea B. Desautels
  3. p. 62
  4. DOI: https://doi.org/10.1353/plo.2020.0020
  5. restricted access
  1. The Gilt Mirror
  2. Emily Hoffman
  3. pp. 63-65
  4. DOI: https://doi.org/10.1353/plo.2020.0005
  5. restricted access
  1. Gun Oil
  2. Richie Hofmann
  3. p. 66
  4. DOI: https://doi.org/10.1353/plo.2020.0050
  5. restricted access
  1. Thinking Like a Crosswalk
  2. Gretchen E. Henderson
  3. pp. 67-80
  4. DOI: https://doi.org/10.1353/plo.2020.0029
  5. restricted access
  1. Abby, the Comedian
  2. Jennifer L. Knox
  3. p. 81
  4. DOI: https://doi.org/10.1353/plo.2020.0033
  5. restricted access
  1. The Window in the Mirror
  2. Jennifer L. Knox
  3. pp. 81-82
  4. DOI: https://doi.org/10.1353/plo.2020.0034
  5. restricted access
  1. Spratchet
  2. Keith Leonard
  3. p. 83
  4. DOI: https://doi.org/10.1353/plo.2020.0040
  5. restricted access
  1. Reading Madame Bovary
  2. Esther Lin
  3. p. 84
  4. DOI: https://doi.org/10.1353/plo.2020.0002
  5. restricted access
  1. Bent Arrows: On Anticipation of My Approaching Disappearance
  2. Tony Hoagland
  3. pp. 85-87
  4. DOI: https://doi.org/10.1353/plo.2020.0055
  5. restricted access
  1. Blue Work Shirt
  2. Gail Mazur
  3. p. 88
  4. DOI: https://doi.org/10.1353/plo.2020.0027
  5. restricted access
  1. Losing
  2. Kerrin McCadden
  3. p. 89
  4. DOI: https://doi.org/10.1353/plo.2020.0041
  5. restricted access
  1. Anatomy Practical
  2. Amelie Meltzer
  3. p. 90
  4. DOI: https://doi.org/10.1353/plo.2020.0025
  5. restricted access
  1. The Age of Migration
  2. Kai Maristed
  3. pp. 91-104
  4. DOI: https://doi.org/10.1353/plo.2020.0038
  5. restricted access
  1. Magical Thinking
  2. Maggie Millner
  3. p. 106
  4. DOI: https://doi.org/10.1353/plo.2020.0043
  5. restricted access
  1. To the Old Man Who Lived on a Hill
  2. Megan Pinto
  3. pp. 107-108
  4. DOI: https://doi.org/10.1353/plo.2020.0046
  5. restricted access
  1. The Unfolding
  2. Megan Pinto
  3. p. 109
  4. DOI: https://doi.org/10.1353/plo.2020.0047
  5. restricted access
  1. Diorama (woman with rose-pattern tea set)
  2. Catie Rosemurgy
  3. p. 110
  4. DOI: https://doi.org/10.1353/plo.2020.0019
  5. restricted access
  1. Noise
  2. Katherine Sharpe
  3. pp. 111-125
  4. DOI: https://doi.org/10.1353/plo.2020.0039
  5. restricted access
  1. Mare
  2. Claire Sibley
  3. p. 126
  4. DOI: https://doi.org/10.1353/plo.2020.0018
  5. restricted access
  1. Buck's Bar
  2. Aurelie Sheehan
  3. pp. 127-138
  4. DOI: https://doi.org/10.1353/plo.2020.0024
  5. restricted access
  1. Light flyweight
  2. Courtney Faye Taylor
  3. pp. 139-140
  4. DOI: https://doi.org/10.1353/plo.2020.0015
  5. restricted access
  1. Blooms exactly
  2. Courtney Faye Taylor
  3. pp. 141-142
  4. DOI: https://doi.org/10.1353/plo.2020.0013
  5. restricted access
  1. An Older Woman
  2. Diana Spechler
  3. pp. 143-151
  4. DOI: https://doi.org/10.1353/plo.2020.0011
  5. restricted access
  1. Warbler
  2. Lynne Thompson
  3. p. 152
  4. DOI: https://doi.org/10.1353/plo.2020.0042
  5. restricted access
  1. Buttercups in Foil on the Windowsill
  2. Barbara Tran
  3. p. 153
  4. DOI: https://doi.org/10.1353/plo.2020.0021
  5. restricted access
  1. mind
  2. Daneen Wardrop
  3. p. 154
  4. DOI: https://doi.org/10.1353/plo.2020.0014
  5. restricted access
  1. The Sheep
  2. Sallie Tisdale
  3. pp. 156-173
  4. DOI: https://doi.org/10.1353/plo.2020.0052
  5. restricted access
  1. To the Girl Rocking Out So Hard in Her Minivan that She Almost Rear-Ends My Minivan, and: Shovel
  2. Gabriel Welsch, Jim Whiteside
  3. pp. 174-177
  4. DOI: https://doi.org/10.1353/plo.2020.0026
  5. restricted access
  1. Shovel
  2. Jim Whiteside
  3. pp. 177-179
  4. DOI: https://doi.org/10.1353/plo.2020.0036
  5. restricted access
  1. Pucker Factor
  2. Mark Winegardner
  3. pp. 180-194
  4. DOI: https://doi.org/10.1353/plo.2020.0045
  5. restricted access
  1. Diffident Jest: A Look2 Essay on Stevie Smith
  2. James Jiang
  3. pp. 195-203
  4. DOI: https://doi.org/10.1353/plo.2020.0031
  5. restricted access
  1. Emerging Writer's Contest Winner: Nonfiction
  2. pp. 204-207
  3. DOI: https://doi.org/10.1353/plo.2020.0006
  4. restricted access
  1. Pojangmacha People
  2. Jung Hae Chae
  3. pp. 208-220
  4. DOI: https://doi.org/10.1353/plo.2020.0037
  5. restricted access
  1. Emerging Writer's Contest Winner: Poetry
  2. pp. 221-224
  3. DOI: https://doi.org/10.1353/plo.2020.0004
  4. restricted access
  1. a psalm in which i demand a new name for my kindred
  2. Aurielle Marie
  3. pp. 225-226
  4. DOI: https://doi.org/10.1353/plo.2020.0023
  5. restricted access
  1. Emerging Writer's Contest Winner : Fiction
  2. pp. 227-230
  3. DOI: https://doi.org/10.1353/plo.2020.0007
  4. restricted access
  1. Creation
  2. Ruby Todd
  3. pp. 231-241
  4. DOI: https://doi.org/10.1353/plo.2020.0051
  5. restricted access
  1. John C. Zacharis First Book Award
  2. pp. 242-243
  3. DOI: https://doi.org/10.1353/plo.2020.0049
  4. restricted access
  1. Editors' Shelf
  2. pp. 244-245
  3. DOI: https://doi.org/10.1353/plo.2020.0008
  4. restricted access
  1. Editors' Corner
  2. p. 245
  3. DOI: https://doi.org/10.1353/plo.2020.0009
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  1. Contributors' Notes
  2. pp. 245-253
  3. DOI: https://doi.org/10.1353/plo.2020.0016
  4. restricted access
  1. Guest Editor Policy
  2. pp. 254-255
  3. DOI: https://doi.org/10.1353/plo.2020.0030
  4. restricted access
  1. Submission Policies
  2. pp. 254-255
  3. DOI: https://doi.org/10.1353/plo.2020.0054
  4. restricted access