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In this Issue

Table of Contents

  1. Editorial
  2. Margherita Zanasi
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/tcc.2020.0004
  5. restricted access

Articles

  1. Radio, Sound Cinema, and Community Singing: The Making of a New Sonic Culture in Modern China
  2. Xiaobing Tang
  3. pp. 3-24
  4. DOI: https://doi.org/10.1353/tcc.2020.0005
  5. open access
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  1. Revolutionary Echoes: Radios and Loudspeakers in the Mao Era
  2. Jie Li
  3. pp. 25-45
  4. DOI: https://doi.org/10.1353/tcc.2020.0006
  5. restricted access
  1. The Cultural Politics of Chineseness: The US Tour of Taiwan’s National Chinese Opera Theater, 1973–1974
  2. Yanqiu Zheng
  3. pp. 46-65
  4. DOI: https://doi.org/10.1353/tcc.2020.0007
  5. restricted access
  1. Feminism in the Vernacular: Baihua Writing, Gender, and Identity in Late Qing China
  2. Zhang Yun
  3. pp. 85-104
  4. DOI: https://doi.org/10.1353/tcc.2020.0009
  5. restricted access

Review Essays

  1. Rethinking Women Writers and the Gendered Spaces of Print Media
  2. Yuxin Ma
  3. pp. 105-112
  4. DOI: https://doi.org/10.1353/tcc.2020.0000
  5. restricted access
  1. Shaped by Conflict: New Writing on China’s Wartime Experience in the Early Twentieth Century
  2. Rana Mitter
  3. pp. 113-118
  4. DOI: https://doi.org/10.1353/tcc.2020.0001
  5. restricted access

Book Reviews (Online Only)

  1. The Invention of Madness: State, Society, and the Insane in Modern China by Emily Baum (review)
  2. Nicole Elizabeth Barnes
  3. pp. E-1-E-3
  4. DOI: https://doi.org/10.1353/tcc.2020.0002
  5. restricted access
  1. Yuan Shikai: A Reappraisal by Patrick Fuliang Shan (review)
  2. Clemens Büttner
  3. pp. E-3-E-5
  4. DOI: https://doi.org/10.1353/tcc.2020.0003
  5. restricted access