1. Essential Ruptures: Herbert Blau’s Power of Mind
  2. Joseph Cermatori
  3. pp. 1-10
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  1. Walking as an Alternative Art
  2. Katarina Weslien
  3. pp. 11-16
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  1. Counterclockwise
  2. Ernesto Pujol
  3. pp. 17-19
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  1. Between Lake Charles and Lake William
  2. Barbara Lounder, Robert Bean
  3. pp. 20-23
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  1. More Liquid Than Solid
  2. Shoshanna White
  3. pp. 24-26
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  1. Start Here
  2. Daniel W. McCusker
  3. pp. 27-30
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  1. Invisible
  2. Gerhardt Knodel
  3. pp. 31-33
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  1. Circular Thinking
  2. Jane Lackey
  3. pp. 34-36
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  1. An Unseen Performance
  2. Alison Hildreth
  3. pp. 37-39
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  1. Walking by Narmada
  2. Nandita Raman
  3. pp. 40-42
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  1. Operatic Chambers
  2. Nicolas Benacerraf
  3. pp. 43-48
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  1. Image and Infatuation
  2. Georgina Guy
  3. pp. 49-52
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  1. Haunting Entanglements of Art and Violence
  2. Sarah Lucie
  3. pp. 53-58
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  1. Performance in the Face of Climate Crisis: Poetics versus Polemics
  2. Jacki Apple
  3. pp. 59-63
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  1. Ms. Blakk’s Radical Queer History
  2. Isaiah Matthew Wooden
  3. pp. 64-69
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  1. Teatro Delle Albe: Staging Dante in Ravenna and Matera
  2. Ron Jenkins
  3. pp. 71-77
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  1. Dante the Everyman
  2. Marco Martinelli, Thomas Haskell Simpson
  3. pp. 78-81
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  1. Love’s Faithful: polyptych in Seven Panels for Dante Alighieri
  2. Marco Martinelli, Thomas Haskell Simpson
  3. pp. 82-103
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  1. Practice for the People
  2. Claire MacDonald
  3. pp. 104-106
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