1. A Bedpan of Poop: The Influence of Silent Screen Comedy on Dos Passos's Manhattan Transfer
  2. Larry Durst
  3. pp. 1-18
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  1. Mass Print, Clipping Bureaus, and the Pre-Digital Database: Reexamining Marianne Moore's Collage Poetics through the Archives
  2. Alison Fraser
  3. pp. 19-33
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  1. Banned Books and Publishers' Ploys: The Well of Loneliness as Exemplar
  2. Alistair McCleery
  3. pp. 34-52
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  1. Judge Woolsey's Ulysses Opinion: Early Print History and Reader Response
  2. Robert Spoo
  3. pp. 53-70
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  1. "Three-Dimensional" Modernism: The Language of Architecture and British Literary Periodicals
  2. Ashley Maher
  3. pp. 71-93
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  1. Church Radio: The Sermon and the CBS Broadcast of T. S. Eliot's Murder in the Cathedral
  2. Fabio L. Vericat
  3. pp. 94-110
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  1. Broadcasting Dialect: Sterling Brown, Norman Corwin, and Latent Remediation
  2. Matthew Kilbane
  3. pp. 111-131
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  1. Visions of Cody and Media: Jack Kerouac as Late Modernist
  2. Kathryn Winner
  3. pp. 132-149
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  1. Granta and the Advent of the Contemporary
  2. Myles Oldershaw
  3. pp. 150-168
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  1. Deterritorializing the Textual Site in the Digital Age: Paratextual and Narrative Democracy in Mark Z. Danielewski's Only Revolutions
  2. Paul Piatkowski
  3. pp. 169-187
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  1. Negotiating Contradictions: A Review of BLAST at 100
  2. Henry N. Gifford
  3. pp. 188-192
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  1. Deadly Lights
  2. David F. Ting
  3. pp. 193-196
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