1. Introduction: Performing Emotions in the Arthurian World
  2. Raluca L. Radulescu
  3. pp. 3-7
  4. DOI: 10.1353/art.2019.0038
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  1. The Performative Function of the Socialized Body: Falling to One’s Knees in Hartmann’s Iwein and Erec
  2. Chloé Vondenhoff
  3. pp. 8-27
  4. DOI: 10.1353/art.2019.0039
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  1. ‘Al was hi sward, wat scaetde dat?’: Emotions and Courtly Cultural Exchange in the Roman van Moriaen
  2. Frank Brandsma
  3. pp. 28-43
  4. DOI: 10.1353/art.2019.0040
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  1. Evadeam, Gawain, Merlin: Penitential Transformation and Unseen Truth in the ‘Dwarf Knight’ Section of the Vulgate Cycle
  2. Mikayla Hunter
  3. pp. 44-56
  4. DOI: 10.1353/art.2019.0041
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  1. Extreme Emotions: Sir Gawain and the Carl of Carlisle and the Danger from Within
  2. Raluca L. Radulescu
  3. pp. 57-73
  4. DOI: 10.1353/art.2019.0042
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  1. Necrology for Dhira Mahoney
  2. Anita Obermeier, Georgiana Donavin
  3. pp. 74-75
  4. DOI: 10.1353/art.2019.0043
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  1. Reconstructing Alliterative Verse: The Pursuit of a Medieval Meter by Ian Cornelius (review)
  2. Andrew Galloway
  3. pp. 76-78
  4. DOI: 10.1353/art.2019.0044
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  1. Medieval Romances Across European Borders ed. by Miriam Edlich-Muth (review)
  2. Leah Haught
  3. pp. 78-80
  4. DOI: 10.1353/art.2019.0045
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  1. The Linguistic Past in Twelfth-Century Britain by Sara Harris (review)
  2. Scott Gwara
  3. pp. 80-82
  4. DOI: 10.1353/art.2019.0046
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  1. The Quest of the Holy Grail ed. by Judith Shoaf (review)
  2. Ann McCullough
  3. pp. 85-86
  4. DOI: 10.1353/art.2019.0048
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  1. Studies in Arthurian Illustration by Alison Stones (review)
  2. Alan Lupack
  3. pp. 86-88
  4. DOI: 10.1353/art.2019.0049
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