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Table of Contents

  1. Editors' Introduction
  2. Alexandra M. Hill, Hester Baer
  3. pp. ix-xviii
  4. DOI: https://doi.org/10.1353/fgs.2019.0000
  5. restricted access
  1. The Backfischroman as Bildungsroman: German Novels for Girls, 1863–1913
  2. Jennifer Redmann
  3. pp. 1-25
  4. DOI: https://doi.org/10.1353/fgs.2019.0001
  5. restricted access
  1. Enfreakment: Disability as Narrative Spectacle in Theodor Storm's "Eine Malerarbeit" and Marie von Ebner-Eschenbach's "Die arme Kleine"
  2. Anna-Rebecca Nowicki
  3. pp. 26-52
  4. DOI: https://doi.org/10.1353/fgs.2019.0002
  5. restricted access
  1. Female Sexuality and Corporeal Agency in Christian Schad's Zwei Mädchen
  2. Esther K. Bauer
  3. pp. 53-84
  4. DOI: https://doi.org/10.1353/fgs.2019.0003
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  1. Rape Culture and Dialectical Montage: A Radical Reframing of Menschen am Sonntag (1930)
  2. Carrie Collenberg-Gonzalez
  3. pp. 85-109
  4. DOI: https://doi.org/10.1353/fgs.2019.0004
  5. restricted access
  1. The Right to Debilitate: The Workings of Global Capitalism and the Precaritization of Subjects in Die wundersame Welt der Waschkraft
  2. Simone Pfleger
  3. pp. 110-134
  4. DOI: https://doi.org/10.1353/fgs.2019.0005
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  1. Cultural Topographies of the New Berlin ed. by Karin Bauer and Jennifer Ruth Hosek (review)
  2. Lars Richter
  3. pp. 135-136
  4. DOI: https://doi.org/10.1353/fgs.2019.0006
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  1. Malina—Versteck der Sprache: Die Chiffre "Malina" in Ingeborg Bachmanns Werk und in Zeugnissen von Zeitzeuginnen by Sandra Boihmane (review)
  2. Ewa Siwak
  3. pp. 137-138
  4. DOI: https://doi.org/10.1353/fgs.2019.0007
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  1. Gendering History on Screen: Women filmmakers and Historical films by Julia Erhart (review)
  2. Julie K. Allen
  3. pp. 139-140
  4. DOI: https://doi.org/10.1353/fgs.2019.0008
  5. restricted access
  1. Brecht, Turkish Theater, and Turkish-German Literature: Reception, Adaptation, and Innovation after 1960 by Ela Gezen (review)
  2. Britta Kallin
  3. pp. 141-142
  4. DOI: https://doi.org/10.1353/fgs.2019.0009
  5. restricted access
  1. Sissi's World: The Empress Elisabeth in Memory and Myth ed. by Maura E. Hametz and Heidi Schlipphacke (review)
  2. Julie K. Allen
  3. pp. 143-144
  4. DOI: https://doi.org/10.1353/fgs.2019.0010
  5. restricted access
  1. Women Writing War: From German Colonialism through World War I ed. by Katharina von Hammerstein, Barbara Kosta, and Julie Shoults (review)
  2. Denise M. Della Rossa
  3. pp. 145-146
  4. DOI: https://doi.org/10.1353/fgs.2019.0011
  5. restricted access
  1. Christa Wolf: A Companion ed. by Sonja E. Klocke and Jennifer R. Hosek (review)
  2. Susanne Rinner
  3. pp. 147-148
  4. DOI: https://doi.org/10.1353/fgs.2019.0012
  5. restricted access
  1. White Rebels in Black: German Appropriation of Black Popular Culture by Priscilla Layne (review)
  2. Nicole Coleman
  3. pp. 149-150
  4. DOI: https://doi.org/10.1353/fgs.2019.0013
  5. restricted access
  1. Passing Illusions: Jewish Visibility in Weimar Germany by Kerry Wallach (review)
  2. Rick McCormick
  3. pp. 151-152
  4. DOI: https://doi.org/10.1353/fgs.2019.0014
  5. restricted access
  1. Swiss Maid: The Untold Story of Women's Contributions to Switzerland's Success by Margrit V. Zinggeler (review)
  2. Carola Daffner
  3. pp. 153-154
  4. DOI: https://doi.org/10.1353/fgs.2019.0015
  5. restricted access
  1. Women in German Prize Winners (2018)
  3. p. 155
  4. DOI: https://doi.org/10.1353/fgs.2019.0016
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