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Table of Contents

  1. Suspicious Minds
  2. Jeffrey R. Di Leo
  3. pp. 2-32
  4. DOI: https://doi.org/10.1353/abr.2020.0019
  5. restricted access
  1. Introduction to Focus: All Shades of Brown—Latinx Literature Today
  2. Frederick Luis Aldama
  3. p. 3
  4. DOI: https://doi.org/10.1353/abr.2020.0002
  5. restricted access
  1. On Love and Fate
  2. Juan Velasco
  3. p. 4
  4. DOI: https://doi.org/10.1353/abr.2020.0013
  5. restricted access
  1. Fly Above
  2. Laura Fernandez
  3. p. 5
  4. DOI: https://doi.org/10.1353/abr.2020.0009
  5. restricted access
  1. Teen Agency
  2. Cristina Rivera
  3. pp. 6-7
  4. DOI: https://doi.org/10.1353/abr.2020.0020
  5. restricted access
  1. We Are Family
  2. Cruz Medina
  3. pp. 7-8
  4. DOI: https://doi.org/10.1353/abr.2020.0026
  5. restricted access
  1. Painful and Magical
  2. Ricardo Padilla
  3. pp. 8-9
  4. DOI: https://doi.org/10.1353/abr.2020.0014
  5. restricted access
  1. Gradual Losses
  2. Mario Grill
  3. pp. 9-10
  4. DOI: https://doi.org/10.1353/abr.2020.0010
  5. restricted access
  1. Sensory Borderland
  2. Theresa Rojas
  3. pp. 10-11
  4. DOI: https://doi.org/10.1353/abr.2020.0017
  5. restricted access
  1. A New History
  2. Katlin Marisol Sweeney
  3. p. 12
  4. DOI: https://doi.org/10.1353/abr.2020.0000
  5. restricted access
  1. Wandering Their Own Deserts
  2. Bonnie Rose Opliger
  3. p. 13
  4. DOI: https://doi.org/10.1353/abr.2020.0025
  5. restricted access
  1. Sin Fronteras
  2. Brian Montes
  3. p. 14
  4. DOI: https://doi.org/10.1353/abr.2020.0018
  5. restricted access
  1. Colonization and Displacement
  2. Ayendy Bonifacio
  3. p. 15
  4. DOI: https://doi.org/10.1353/abr.2020.0006
  5. restricted access
  1. Alchemy of Love and Pain
  2. Alberto Ledesma
  3. pp. 16-17
  4. DOI: https://doi.org/10.1353/abr.2020.0001
  5. restricted access
  1. Love and Guts
  2. Duane Niatum
  3. pp. 18-31
  4. DOI: https://doi.org/10.1353/abr.2020.0012
  5. restricted access
  1. The Voice
  2. R. M. Berry
  3. pp. 19-20
  4. DOI: https://doi.org/10.1353/abr.2020.0022
  5. restricted access
  1. Perfect and Imperfect
  2. Elizabeth Cohen
  3. pp. 20-21
  4. DOI: https://doi.org/10.1353/abr.2020.0015
  5. restricted access
  1. Collaboration without a Net
  2. James Tadd Adcox
  3. pp. 21-22
  4. DOI: https://doi.org/10.1353/abr.2020.0005
  5. restricted access
  1. Coffee Culture
  2. Jan Garden Castro
  3. pp. 22-23
  4. DOI: https://doi.org/10.1353/abr.2020.0004
  5. restricted access
  1. Arkansan Odysseus
  2. Rick Campbell
  3. p. 24
  4. DOI: https://doi.org/10.1353/abr.2020.0003
  5. restricted access
  1. Dizzying Heights
  2. Diane Goodman
  3. p. 25
  4. DOI: https://doi.org/10.1353/abr.2020.0007
  5. restricted access
  1. Tool and Weapon
  2. Patricia Brody
  3. pp. 26-27
  4. DOI: https://doi.org/10.1353/abr.2020.0023
  5. restricted access
  1. Eternal Returns
  2. Laura Jok
  3. pp. 27-28
  4. DOI: https://doi.org/10.1353/abr.2020.0008
  5. restricted access
  1. Self Bearing Witness
  2. Devin King
  3. pp. 28-29
  4. DOI: https://doi.org/10.1353/abr.2020.0016
  5. restricted access
  1. The Conspiracy Exposed
  2. Richard Jeffrey Newman
  3. p. 30
  4. DOI: https://doi.org/10.1353/abr.2020.0021
  5. restricted access
  1. Interventions: An Interview with Luis Alberto Urrea
  2. Frederick Luis Aldama, Luis Alberto Urrea
  3. pp. 33-34
  4. DOI: https://doi.org/10.1353/abr.2020.0011
  5. restricted access
  1. Scenes: Two Dollar Radio: an interview with Eliza Wood-Obenauf
  2. Eliza Wood-Obenauf
  3. p. 35
  4. DOI: https://doi.org/10.1353/abr.2020.0024
  5. restricted access