1. Introduction: Leonardo Music Journal 29
  2. Eduardo R. Miranda
  3. pp. 1-2
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  1. Sounding Dispersal as a Route to Empathy with the Changing Arctic
  2. Kat Austen
  3. pp. 3-7
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  1. The Music of the Trees: The Blued Trees Symphony and Opera as Environmental Research and Legal Activism
  2. Aviva Rahmani
  3. pp. 8-13
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  1. Hyperreal Instruments: Bridging VR and Digital Fabrication to Facilitate New Forms of Musical Expression
  2. Anil Çamci, John Granzow
  3. pp. 14-18
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  1. Respire: Virtual Reality Art with Musical Agent Guided by Respiratory Interaction
  2. Kivan Çtatar, Mirjana Prpa, Philippe Pasquier
  3. pp. 19-24
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  1. Algorithmic Spatialization Using Object-Based Audio and Indoor Positioning System
  2. Yuan-Yi Fan
  3. pp. 25-30
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  1. Mimesis, Murakami and Multimedia Art: Parallel Worlds in Performance
  2. Chaz Underriner
  3. pp. 31-36
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  1. Reducing the Effect of Imperfect Microphone and Speaker in Audio Feedback Systems
  2. Lilac Atassi
  3. pp. 37-39
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  1. 3D Notations and the Immersive Score
  2. David Kim-Boyle
  3. pp. 39-41
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  1. A Computational System for Violin: Synthesis and Dissolution in Windowless
  2. Seth Dominicus Thorn
  3. pp. 42-44
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  1. The Musical Geometry of Genes: Generating Rhythms from DNA
  2. Alvaro Yanez
  3. pp. 45-49
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  1. The Loom Machines of Boott Mill (Lowell): A Composition from the New England Soundscape Project
  2. Daniel A. Walzer
  3. pp. 50-54
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  1. Application of musical Computing to Creating a dynamic Reconfigurable multilayered Chamber Orchestra Composition
  2. Alexis Kirke
  3. pp. 55-61
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  1. Approaches to Composition in Visual Music: An Artist's Reflection on Three Original Pieces
  2. Dave Payling
  3. pp. 62-66
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  1. The Rhythmotron
  2. John R. Taylor, Andrew J. Milne
  3. pp. 67-72
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  1. Summerland: Exploring the Intersection of Spiritualism and Technology at the Dawn of the Electrical Age
  2. Matthew Ostrowski
  3. pp. 73-77
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  1. Flow Vertical: Composing and Improvising Original Music Inspired by Bodily Sound Vibrations
  2. Jasna Jovicevic
  3. pp. 78-82
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  1. Enacting Sonic-Cyborg Performance through the Hybrid Body in Teka-Mori and Why Should Our Bodies End at the Skin?
  2. Aurie Hsu, Steven Kemper
  3. pp. 83-87
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  1. Sound Appropriation and Musical Borrowing as a Compositional Tool in new electroacoustic Music
  2. Juan Carlos Vasquez
  3. pp. 88-92
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  1. Nam June Paik's Unpublished Korean Article and His Interactive Musique Concrète Projects
  2. Byeongwon Ha
  3. pp. 93-96
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  1. LMJ 29 Audio Tracklist
  2. Andrew C. Smith
  3. p. 97
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  1. Sonic Commentary: Language as a Wilderness
  2. Andrew C. Smith
  3. pp. 98-99
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  1. Sonic Commentary: Audio Series Volume 29
  2. Manfred Werder, Casey Anderson, Travis Just, Kara Feely, Natacha Diels, John (Jack) Callahan, Carolyn Chen, Sarah Hennies
  3. pp. 100-103
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  1. Leonardo Volume 52 and Leonardo Music Journal Volume 29
  2. pp. 104-109
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  1. The Network
  2. pp. 110-111
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  1. Sound Structures Experienced Underwater
  2. Jürgen Claus
  3. pp. 112-113
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