In this Issue
The companion annual journal to Leonardo, Leonardo Music Journal is devoted to the aesthetic and technical issues in contemporary music and sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints and includes an audio CD or multimedia CD-ROM. Recent and forthcoming themes include: Power and Responsibility: Politics, Identity and Technology in Music, Southern Cones: Music out of Africa and South America, and Not Necessarily English Music: Britain's Second Golden Age.
published by
The MIT Pressviewing issue
Volume 29, 2019Table of Contents
pp. 8-13
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View The Music of the Trees: The Blued Trees Symphony and Opera as Environmental Research and Legal Activism
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The Music of the Trees: The Blued Trees Symphony and Opera as Environmental Research and Legal Activism
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pp. 14-18
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View Hyperreal Instruments: Bridging VR and Digital Fabrication to Facilitate New Forms of Musical Expression
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Hyperreal Instruments: Bridging VR and Digital Fabrication to Facilitate New Forms of Musical Expression
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pp. 19-24
pp. 25-30
pp. 31-36
pp. 37-39
pp. 42-44
pp. 50-54
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View The Loom Machines of Boott Mill (Lowell): A Composition from the New England Soundscape Project
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pp. 55-61
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View Application of musical Computing to Creating a dynamic Reconfigurable multilayered Chamber Orchestra Composition
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Application of musical Computing to Creating a dynamic Reconfigurable multilayered Chamber Orchestra Composition
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pp. 62-66
pp. 73-77
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View Summerland: Exploring the Intersection of Spiritualism and Technology at the Dawn of the Electrical Age
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Summerland: Exploring the Intersection of Spiritualism and Technology at the Dawn of the Electrical Age
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pp. 78-82
pp. 83-87
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View Enacting Sonic-Cyborg Performance through the Hybrid Body in Teka-Mori and Why Should Our Bodies End at the Skin?
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Enacting Sonic-Cyborg Performance through the Hybrid Body in Teka-Mori and Why Should Our Bodies End at the Skin?
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pp. 88-92
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View Sound Appropriation and Musical Borrowing as a Compositional Tool in new electroacoustic Music
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Sound Appropriation and Musical Borrowing as a Compositional Tool in new electroacoustic Music
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pp. 93-96
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| ISSN | 1531-4812 |
|---|---|
| Print ISSN | 0961-1215 |
| Launched on MUSE | 2020-01-09 |
| Open Access | No |
| Archive Status | Ceased Publication |
Copyright
Copyright © The International Society for the Arts, Sciences and Technology (ISAST), the owner
