1. Jonathan Swift's Metaphorical Conceptualization of Nature as a Woman and His "Aesthetic" Critique of Science
  2. He Xiyao
  3. pp. 1-23
  4. DOI: 10.1353/pan.2020.0000
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  1. The Play of the Line: "Presence Effects" and the Voice of the Latent in Wordsworth's Prelude
  2. Art Zilleruelo
  3. pp. 25-49
  4. DOI: 10.1353/pan.2020.0001
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  1. The Heroism of Serving Coffee: Joseph Conrad and The Nigger of the 'Narcissus'
  2. Johan Adam Warodell
  3. pp. 51-66
  4. DOI: 10.1353/pan.2020.0002
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  1. Visual Mask Metaphors in Jean Genet and Maurizio Cattelan
  2. Nourit Melcer-Padon
  3. pp. 67-82
  4. DOI: 10.1353/pan.2020.0003
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  1. Existential Revision in Philip Roth's The Breast
  2. James Duban
  3. pp. 83-99
  4. DOI: 10.1353/pan.2020.0004
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  1. Nabokov and Banville: Hidden Stories in Despair and The Book of Evidence
  2. Irena Księżopolska
  3. pp. 101-124
  4. DOI: 10.1353/pan.2020.0005
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  1. Inherent Vice, Bleeding Edge, and Thomas Pynchon's Hardboiled
  2. Eric Sandberg
  3. pp. 125-148
  4. DOI: 10.1353/pan.2020.0006
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  1. German-Jewish Thought and Its Afterlife: A Tenuous Legacy by Vivian Liska (review)
  2. Noam Pines
  3. pp. 175-178
  4. DOI: 10.1353/pan.2020.0011
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  1. Lyric Cousins: Poetry and Musical Form by Fiona Sampson (review)
  2. Ruben Weiss
  3. pp. 178-182
  4. DOI: 10.1353/pan.2020.0009
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  1. Nabokov and Indeterminacy: The Case of The Real Life of Sebastian Knight by Priscilla Meyer (review)
  2. Leona Toker
  3. pp. 182-185
  4. DOI: 10.1353/pan.2020.0010
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  1. Narrative Faith: Dostoevsky, Camus, and Singer by David Stromberg (review)
  2. Michał Mrugalski
  3. pp. 186-190
  4. DOI: 10.1353/pan.2020.0008
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