1. Flann O'Brien, James Joyce, and the Queer Art of Bare Concealment
  2. Catherine Flynn
  3. pp. 8-36
  4. DOI: 10.1353/eir.2019.0012
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  1. Soldiers, Sokol, and Symbolism: Forging a National Identity in 1930s Ireland
  2. Conor Heffernan
  3. pp. 37-60
  4. DOI: 10.1353/eir.2019.0013
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  1. De Valera's Gains: The Masculine Body in Irish Political Cartoons, 1922–39
  2. Timothy Ellis
  3. pp. 61-93
  4. DOI: 10.1353/eir.2019.0014
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  1. What to Wear for a Revolution? Countess Constance Markievicz in Military Dress*
  2. Gail Baylis
  3. pp. 94-122
  4. DOI: 10.1353/eir.2019.0015
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  1. From Silence to Plenty: The Famine in Early Twentieth-Century Periodical Fiction*
  2. Lindsay Janssen
  3. pp. 123-141
  4. DOI: 10.1353/eir.2019.0016
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  1. St. Patrick Meets St. Louis: The Display of the Irish at the 1904 St. Louis World's Fair*
  2. Jeffrey O'Leary
  3. pp. 142-171
  4. DOI: 10.1353/eir.2019.0017
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  1. Gaels on the Pacific: The Irish Language Department in the San Francisco Monitor, 1888–91*
  2. Matthew Knight
  3. pp. 172-199
  4. DOI: 10.1353/eir.2019.0018
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  1. Index of First Lines of Poetry in the Monitor, 1888–93
  2. pp. 200-205
  3. DOI: 10.1353/eir.2019.0022
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  1. Silk-Stocking Sympathy: American Whig Rhetoric and the Irish Famine
  2. James M. Farrell
  3. pp. 206-233
  4. DOI: 10.1353/eir.2019.0019
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  1. Maria Edgeworth's "Little Platoons": The United Kingdom as Professional Society
  2. Sara L. Maurer
  3. pp. 234-256
  4. DOI: 10.1353/eir.2019.0020
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  1. Contributors
  2. pp. 257-259
  3. DOI: 10.1353/eir.2019.0021
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