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In this Issue

Table of Contents

  1. Introduction
  2. Jim Hicks
  3. pp. 584-585
  4. DOI: https://doi.org/10.1353/mar.2019.0131
  5. restricted access
  1. (You led the regiments and liberated cities)
  2. Serhiy Zhadan, John Hennessy, Ostap Kin
  3. p. 587
  4. DOI: https://doi.org/10.1353/mar.2019.0093
  5. restricted access
  1. 背景 The View from 2010
  2. Xu Xi
  3. pp. 588-600
  4. DOI: https://doi.org/10.1353/mar.2019.0094
  5. restricted access
  1. Charlotte Delbo: Writing the Deportation
  2. Ghislaine Dunant, Kathryn Lachman
  3. pp. 601-618
  4. DOI: https://doi.org/10.1353/mar.2019.0095
  5. restricted access
  1. Memorial Arts by Horst Hoheisel and Andreas Knitz: Negative Spaces and Memorial Spielerei
  2. James E. Young
  3. pp. 619-638
  4. DOI: https://doi.org/10.1353/mar.2019.0096
  5. restricted access
  1. The Allure of Material Objects: Fetishization Reconsidered
  2. Laura Levitt
  3. pp. 639-654
  4. DOI: https://doi.org/10.1353/mar.2019.0097
  5. restricted access
  1. Turks, Jews, and Other Germans in Contemporary Art: An Introduction
  2. Peter Chametzky
  3. pp. 655-681
  4. DOI: https://doi.org/10.1353/mar.2019.0098
  5. restricted access
  1. "Truth as Accessible as Looking Out a Window": Unit 731 and the Ethics of Virtual Postwar Testimony
  2. Patricia P. Chu
  3. pp. 682-696
  4. DOI: https://doi.org/10.1353/mar.2019.0099
  5. restricted access
  1. Two Site-Specific Installations
  2. Anna Schuleit Haber
  3. pp. 697-704
  4. DOI: https://doi.org/10.1353/mar.2019.0100
  5. restricted access
  1. … With a Little Help from Our Friends
  3. p. 705
  4. DOI: https://doi.org/10.1353/mar.2019.0101
  5. restricted access
  1. Learning to Eat the Dead: Juba
  2. Maria Hamilton Abegunde
  3. p. 706
  4. DOI: https://doi.org/10.1353/mar.2019.0102
  5. restricted access
  1. Polako
  2. Caleb Gill
  3. p. 707
  4. DOI: https://doi.org/10.1353/mar.2019.0103
  5. restricted access
  1. Aleppo
  2. Anika Potluri
  3. p. 708
  4. DOI: https://doi.org/10.1353/mar.2019.0104
  5. restricted access
  1. Per Capita
  2. Kristina Kay Robinson
  3. pp. 709-717
  4. DOI: https://doi.org/10.1353/mar.2019.0105
  5. restricted access
  1. Poem After an Iteration of a Painting by Lynette Yiadom-Boakye, Destroyed by the Artist Herself
  2. Ama Codjoe
  3. pp. 718-719
  4. DOI: https://doi.org/10.1353/mar.2019.0106
  5. restricted access
  1. Photograph
  2. Jenny George
  3. p. 720
  4. DOI: https://doi.org/10.1353/mar.2019.0107
  5. restricted access
  1. Basho muses that poets make poems like woodcutters swiftly fell trees,
  2. Rebecca Hart Olander
  3. p. 721
  4. DOI: https://doi.org/10.1353/mar.2019.0108
  5. restricted access
  1. Mallika Reflects on the Events of Discount Monday
  2. Annie Zaidi
  3. pp. 722-727
  4. DOI: https://doi.org/10.1353/mar.2019.0109
  5. restricted access
  1. A Brief History of American Labor
  2. Matt W. Miller
  3. p. 728
  4. DOI: https://doi.org/10.1353/mar.2019.0110
  5. restricted access
  1. Liability
  2. Constance Merritt
  3. p. 729
  4. DOI: https://doi.org/10.1353/mar.2019.0111
  5. restricted access
  1. The Electric Girls
  2. Corey Van Landingham
  3. pp. 730-731
  4. DOI: https://doi.org/10.1353/mar.2019.0112
  5. restricted access
  1. Genetic Driftwood
  2. April Blevins Pejic
  3. pp. 732-740
  4. DOI: https://doi.org/10.1353/mar.2019.0113
  5. restricted access
  1. Aporia
  2. Robert Whitehead
  3. p. 741
  4. DOI: https://doi.org/10.1353/mar.2019.0114
  5. restricted access
  1. Friday Night Fights
  2. David Torneo
  3. pp. 742-744
  4. DOI: https://doi.org/10.1353/mar.2019.0115
  5. restricted access
  1. Fending Nothing Off
  2. Jane Zwart
  3. p. 745
  4. DOI: https://doi.org/10.1353/mar.2019.0116
  5. restricted access
  1. Tent Cinema
  2. Anita Felicelli
  3. pp. 746-761
  4. DOI: https://doi.org/10.1353/mar.2019.0117
  5. restricted access
  1. Love, or Grieving a Beast
  2. Clare Welsh
  3. pp. 762-763
  4. DOI: https://doi.org/10.1353/mar.2019.0118
  5. restricted access
  1. Beneath Our Skin
  2. Richie Hofmann
  3. p. 764
  4. DOI: https://doi.org/10.1353/mar.2019.0119
  5. restricted access
  1. Mailbox
  2. Sarah Stickney
  3. p. 765
  4. DOI: https://doi.org/10.1353/mar.2019.0120
  5. restricted access
  1. Fin, or A Thing Like Music
  2. Danley Romero
  3. pp. 766-777
  4. DOI: https://doi.org/10.1353/mar.2019.0121
  5. restricted access
  1. From adaptation portraits (strange cartographies)
  2. George Abraham
  3. pp. 778-779
  4. DOI: https://doi.org/10.1353/mar.2019.0122
  5. restricted access
  1. Letter for Elena Ferrante: Devotional
  2. Tina Cane
  3. p. 780
  4. DOI: https://doi.org/10.1353/mar.2019.0123
  5. restricted access
  1. Mythographic Shorthand
  2. Lindsay Remee Ahl
  3. p. 781
  4. DOI: https://doi.org/10.1353/mar.2019.0124
  5. restricted access
  1. What Kind of World?
  2. Eduardo Halfon
  3. pp. 782-783
  4. DOI: https://doi.org/10.1353/mar.2019.0125
  5. restricted access
  1. The Women and Children of Dilley
  2. Katherine Silver
  3. pp. 784-802
  4. DOI: https://doi.org/10.1353/mar.2019.0126
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  1. The Anthem and the Angels: Soldier Field, Home of the Chicago Bears
  2. James Janko
  3. pp. 803-804
  4. DOI: https://doi.org/10.1353/mar.2019.0127
  5. restricted access
  1. Get Up, Stand Up
  2. Jacob Paul
  3. pp. 805-817
  4. DOI: https://doi.org/10.1353/mar.2019.0128
  5. restricted access
  1. Notes on Historical Comparison in the Age of Trump (and Erdoğan)
  2. Michael Rothberg
  3. pp. 818-826
  4. DOI: https://doi.org/10.1353/mar.2019.0129
  5. restricted access
  1. What Is Nakba Day?
  2. Michel Moushabeck
  3. pp. 827-830
  4. DOI: https://doi.org/10.1353/mar.2019.0130
  5. restricted access