The Massachusetts Review

In this Issue

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Introduction
Jim Hicks
pp. 584-585
DOI: https://doi.org/10.1353/mar.2019.0131

(You led the regiments and liberated cities)
Serhiy Zhadan, John Hennessy, Ostap Kin
p. 587
DOI: https://doi.org/10.1353/mar.2019.0093

背景 The View from 2010
Xu Xi
pp. 588-600
DOI: https://doi.org/10.1353/mar.2019.0094

Charlotte Delbo: Writing the Deportation
Ghislaine Dunant, Kathryn Lachman
pp. 601-618
DOI: https://doi.org/10.1353/mar.2019.0095

The Allure of Material Objects: Fetishization Reconsidered
Laura Levitt
pp. 639-654
DOI: https://doi.org/10.1353/mar.2019.0097

Turks, Jews, and Other Germans in Contemporary Art: An Introduction
Peter Chametzky
pp. 655-681
DOI: https://doi.org/10.1353/mar.2019.0098

Two Site-Specific Installations
Anna Schuleit Haber
pp. 697-704
DOI: https://doi.org/10.1353/mar.2019.0100

… With a Little Help from Our Friends
p. 705
DOI: https://doi.org/10.1353/mar.2019.0101

Learning to Eat the Dead: Juba
Maria Hamilton Abegunde
p. 706
DOI: https://doi.org/10.1353/mar.2019.0102

Polako
Caleb Gill
p. 707
DOI: https://doi.org/10.1353/mar.2019.0103

Aleppo
Anika Potluri
p. 708
DOI: https://doi.org/10.1353/mar.2019.0104

Per Capita
Kristina Kay Robinson
pp. 709-717
DOI: https://doi.org/10.1353/mar.2019.0105

Photograph
Jenny George
p. 720
DOI: https://doi.org/10.1353/mar.2019.0107

Mallika Reflects on the Events of Discount Monday
Annie Zaidi
pp. 722-727
DOI: https://doi.org/10.1353/mar.2019.0109

A Brief History of American Labor
Matt W. Miller
p. 728
DOI: https://doi.org/10.1353/mar.2019.0110

Liability
Constance Merritt
p. 729
DOI: https://doi.org/10.1353/mar.2019.0111

The Electric Girls
Corey Van Landingham
pp. 730-731
DOI: https://doi.org/10.1353/mar.2019.0112

Genetic Driftwood
April Blevins Pejic
pp. 732-740
DOI: https://doi.org/10.1353/mar.2019.0113

Aporia
Robert Whitehead
p. 741
DOI: https://doi.org/10.1353/mar.2019.0114

Friday Night Fights
David Torneo
pp. 742-744
DOI: https://doi.org/10.1353/mar.2019.0115

Fending Nothing Off
Jane Zwart
p. 745
DOI: https://doi.org/10.1353/mar.2019.0116

Tent Cinema
Anita Felicelli
pp. 746-761
DOI: https://doi.org/10.1353/mar.2019.0117

Love, or Grieving a Beast
Clare Welsh
pp. 762-763
DOI: https://doi.org/10.1353/mar.2019.0118

Beneath Our Skin
Richie Hofmann
p. 764
DOI: https://doi.org/10.1353/mar.2019.0119

Mailbox
Sarah Stickney
p. 765
DOI: https://doi.org/10.1353/mar.2019.0120

Fin, or A Thing Like Music
Danley Romero
pp. 766-777
DOI: https://doi.org/10.1353/mar.2019.0121

From adaptation portraits (strange cartographies)
George Abraham
pp. 778-779
DOI: https://doi.org/10.1353/mar.2019.0122

Letter for Elena Ferrante: Devotional
Tina Cane
p. 780
DOI: https://doi.org/10.1353/mar.2019.0123

Mythographic Shorthand
Lindsay Remee Ahl
p. 781
DOI: https://doi.org/10.1353/mar.2019.0124

What Kind of World?
Eduardo Halfon
pp. 782-783
DOI: https://doi.org/10.1353/mar.2019.0125

The Women and Children of Dilley
Katherine Silver
pp. 784-802
DOI: https://doi.org/10.1353/mar.2019.0126

The Anthem and the Angels: Soldier Field, Home of the Chicago Bears
James Janko
pp. 803-804
DOI: https://doi.org/10.1353/mar.2019.0127

Get Up, Stand Up
Jacob Paul
pp. 805-817
DOI: https://doi.org/10.1353/mar.2019.0128

Notes on Historical Comparison in the Age of Trump (and Erdoğan)
Michael Rothberg
pp. 818-826
DOI: https://doi.org/10.1353/mar.2019.0129

What Is Nakba Day?
Michel Moushabeck
pp. 827-830
DOI: https://doi.org/10.1353/mar.2019.0130

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