In this Issue

Table of Contents

Drawing Racial Lines: The Aesthetics of Franklin in Peanuts

Michelle Ann Abate
pp. 227-248
DOI: https://doi.org/10.1353/ink.2019.0031
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Re-Animalating Native Realities: The Funny Animals and Indigenous First Beings of Native Realities Press

Joshua T. Anderson
pp. 249-272
DOI: https://doi.org/10.1353/ink.2019.0032
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All-Negro Comics and the Birth of Lion Man, the First African American Superhero

Blair Davis
pp. 273-297
DOI: https://doi.org/10.1353/ink.2019.0023
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Format Codings in Comics—The Elusive Art of Punctuation

David Gedin
pp. 298-314
DOI: https://doi.org/10.1353/ink.2019.0024
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The Papa Mfumu'eto Papers: An Urban Vernacular Artist in Congo's Megacity

Daniel Reboussin
pp. 315-329
DOI: https://doi.org/10.1353/ink.2019.0025
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YA = Young Avengers: Asserting Maturity on the Threshold of Adulthood

Osvaldo Oyola
pp. 330-342
DOI: https://doi.org/10.1353/ink.2019.0026
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Comics and Sacred Texts: Reimagining Religion & Graphic Narratives ed. by Assaf Gamzou and Ken Koltun-Fromm (review)

Matthew William Brake
pp. 343-345
DOI: https://doi.org/10.1353/ink.2019.0027
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Graphic Satire in the Soviet Union: Krokodil's Political Cartoons by John Etty (review)

Bianca Rowlett
pp. 345-348
DOI: https://doi.org/10.1353/ink.2019.0028
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The Representation of Genocide in Graphic Novels: Considering the Role of Kitsch by Laurike in 't Veld (review)

Candida Rifkind
pp. 348-351
DOI: https://doi.org/10.1353/ink.2019.0029
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Contributors

pp. 352-353
DOI: https://doi.org/10.1353/ink.2019.0030
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