1. Drawing Racial Lines: The Aesthetics of Franklin in Peanuts
  2. Michelle Ann Abate
  3. pp. 227-248
  4. DOI: 10.1353/ink.2019.0031
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  1. Re-Animalating Native Realities: The Funny Animals and Indigenous First Beings of Native Realities Press
  2. Joshua T. Anderson
  3. pp. 249-272
  4. DOI: 10.1353/ink.2019.0032
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  1. All-Negro Comics and the Birth of Lion Man, the First African American Superhero
  2. Blair Davis
  3. pp. 273-297
  4. DOI: 10.1353/ink.2019.0023
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  1. Format Codings in Comics—The Elusive Art of Punctuation
  2. David Gedin
  3. pp. 298-314
  4. DOI: 10.1353/ink.2019.0024
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  1. The Papa Mfumu'eto Papers: An Urban Vernacular Artist in Congo's Megacity
  2. Daniel Reboussin
  3. pp. 315-329
  4. DOI: 10.1353/ink.2019.0025
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  1. YA = Young Avengers: Asserting Maturity on the Threshold of Adulthood
  2. Osvaldo Oyola
  3. pp. 330-342
  4. DOI: 10.1353/ink.2019.0026
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  1. Comics and Sacred Texts: Reimagining Religion & Graphic Narratives ed. by Assaf Gamzou and Ken Koltun-Fromm (review)
  2. Matthew William Brake
  3. pp. 343-345
  4. DOI: 10.1353/ink.2019.0027
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  1. Graphic Satire in the Soviet Union: Krokodil's Political Cartoons by John Etty (review)
  2. Bianca Rowlett
  3. pp. 345-348
  4. DOI: 10.1353/ink.2019.0028
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  1. The Representation of Genocide in Graphic Novels: Considering the Role of Kitsch by Laurike in 't Veld (review)
  2. Candida Rifkind
  3. pp. 348-351
  4. DOI: 10.1353/ink.2019.0029
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  1. Contributors
  2. pp. 352-353
  3. DOI: 10.1353/ink.2019.0030
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