1. Editor's Introduction
  2. Loren Baybrook
  3. p. 3
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  1. Bollywood in Britain: Cinema, Brand, Discursive Complex by Lucia Krämer (review)
  2. Kinga Földváry
  3. pp. 7-9
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  1. Archiveology: Walter Benjamin and Archival Film Practices by Catherine Russell (review)
  2. Joshua Wiebe
  3. pp. 10-12
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  1. The Colour Fantastic: Chromatic Worlds of Silent Cinema ed. by Giovanna Fossati, et al. (review)
  2. Denise Mok
  3. pp. 13-15
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  1. Celluloid War Memorials: The British Instructional Films Company and the Memory of the Great War by Mark Connelly (review)
  2. Martin Stollery
  3. pp. 16-17
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  1. Disposable Passions: Vintage Pornography and the Material Legacies of Adult Cinema by David Church (review)
  2. Erin Wiegand
  3. pp. 18-20
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  1. Everybody Sing! Community Singing in the American Picture Palace by Esther M. Morgan-Ellis (review)
  2. Bernard F. Dick
  3. p. 21
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  1. Melodrama Unbound: Across History, Media, and National Cultures ed. by Christine Gledhill and Linda Williams (review)
  2. Kinga Földváry
  3. pp. 22-23
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  1. Poland Daily: Economy, Work, Consumption and Social Class in Polish Cinema by Ewa Mazierska (review)
  2. Jonathan Owen
  3. pp. 24-25
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  1. Science Fiction Cinema and 1950s Britain: Recontextualizing Cultural Anxiety by Matthew Jones (review)
  2. Mark Klobas
  3. pp. 26-27
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  1. 1968 and Global Cinema ed. by Christina Gerhardt and Sara Saljoughi (review)
  2. Ryan Sherwood
  3. pp. 28-30
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  1. L.A. Private Eyes by Dahlia Schweitzer (review)
  2. Matthew Sorrento
  3. pp. 31-33
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  1. Jojo Rabbit
  2. Benjamin Franz
  3. pp. 34-36
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  1. Peterloo
  2. Thomas Prasch
  3. pp. 37-39
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  1. Red Joan
  2. John Ordway
  3. pp. 40-42
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  1. The Irishman
  2. Robert Hensley-King
  3. pp. 43-45
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  1. The Aftermath
  2. Allison Schmidt
  3. pp. 46-47
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  1. Downton Abbey
  2. Julie Anne Taddeo
  3. pp. 48-50
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  1. The Circus
  2. A Bowdoin Van Riper
  3. pp. 51-53
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  1. Burning
  2. Michael C. Reiff
  3. pp. 54-57
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  1. Two Takes On Harriet
  2. Andrea Schmidt, Frank Fucile
  3. pp. 58-63
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