1. A Note from the Guest Editor
  2. Axel Englund
  3. pp. 1-6
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  1. Opera in Performance: "Regietheater" and the Performative Turn
  2. Clemens Risi, Jake Fraser
  3. pp. 7-19
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  1. An Incomplete Life: Lulu and the Performance of Unfinishedness
  2. Axel Englund
  3. pp. 20-39
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  1. Opera and Objecthood: Sedimentation, Spectatorship, and Einstein on the Beach
  2. Arman Schwartz
  3. pp. 40-62
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  1. Exterminating the Recording Angel
  2. Laura Tunbridge
  3. pp. 63-76
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  1. Casting Metal: Opera Studies after Humanism
  2. Christopher Morris
  3. pp. 77-95
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  1. "A great private party": The Participatory Theatrics of Country-House Operagoing
  2. Suzanne Aspden
  3. pp. 96-117
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  1. 2059: A Utopian Turning Back
  2. Alessandra Campana
  3. pp. 118-129
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  1. Operatic Configurations in the Digital Age
  2. Gundula Kreuzer
  3. pp. 130-134
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  1. Are "Works" Enough?
  2. Wayne Heisler Jr.
  3. pp. 135-138
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  1. Opera and Relational Aesthetics
  2. Heather Wiebe
  3. pp. 139-142
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  1. Opera and/as Theatricality: Notes from Across the Aisle
  2. Ryan Minor
  3. pp. 143-146
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