1. Editorial–Theatre as Critique
  2. Nikolaus Müller-Schöll, Gerald Siegmund
  3. pp. 3-6
  4. DOI: 10.1353/fmt.2014.0000
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  1. Context as Critique: On Experiences that May or May not be Theatre
  2. Shannon Jackson
  3. pp. 7-19
  4. DOI: 10.1353/fmt.2014.0001
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  1. Institution–Apparatus–Dispositive: Searching for a Reflexive Dramaturgy
  2. Tore Vagn Lid
  3. pp. 20-27
  4. DOI: 10.1353/fmt.2014.0002
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  1. "perhaps/I am the Both which has just come about". (Non-) Identity as Critique in Brecht's Man equals Man
  2. Susanne Schmieden
  3. pp. 28-36
  4. DOI: 10.1353/fmt.2014.0003
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  1. More Than Activism, Less Than Art: The Heritage of Bertolt Brecht and Theodor Adorno in Contemporary Theatre
  2. Aleksandra Jovićević
  3. pp. 37-46
  4. DOI: 10.1353/fmt.2014.0004
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  1. Farewell to the Sublime? Performance Criticism in the Age of Terrorism
  2. Esa Kirkkopelto
  3. pp. 47-55
  4. DOI: 10.1353/fmt.2014.0005
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  1. Blackface and Critique. From T. D. Rice to Frederick Douglass
  2. Evelyn Annuß
  3. pp. 64-72
  4. DOI: 10.1353/fmt.2014.0007
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  1. Performing Arts Criticism in the Web 2.0 era: Authoritativeness in a process of human/computer interaction: some initial thoughts
  2. Sergio Lo Gatto
  3. pp. 73-80
  4. DOI: 10.1353/fmt.2014.0008
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  1. In Search of 'the Real'–Teatr.doc's Documentary Reflections on Politics, Law and Art
  2. Lisa Wolfson
  3. pp. 81-89
  4. DOI: 10.1353/fmt.2014.0009
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  1. Functions and Techniques of Critique in Contemporary Estonian Theatre
  2. Eva-Liisa Linder
  3. pp. 90-97
  4. DOI: 10.1353/fmt.2014.0010
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  1. The Communist Party Effect: Romanian Theatre Under the "Auspices" of Censorship
  2. Isabella Drăghici
  3. pp. 98-107
  4. DOI: 10.1353/fmt.2014.0011
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  1. Dying Swan fights for human rights: a case from recent Russian history
  2. Elena Yushkova
  3. pp. 108-116
  4. DOI: 10.1353/fmt.2014.0012
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  1. Episteme des Theaters. Aktuelle Kontexte von Wissenschaft, Kunst und Öffentlichkeit hrsg. per Milena Cairo et al. (review)
  2. Lutz Ellrich
  3. pp. 117-120
  4. DOI: 10.1353/fmt.2014.0013
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  1. Oper in performance–Analysen zur Aufführungsdimension von Operninszenierungen per Clemens Risi (review)
  2. T. Sofie Taubert
  3. pp. 120-121
  4. DOI: 10.1353/fmt.2014.0014
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  1. Autorinnen und Autoren
  2. pp. 122-124
  3. DOI: 10.1353/fmt.2014.0015
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