1. New World Masculinity: The Lieutenant Nun— Hyperbole or Reality?
  2. Jason Stinnett
  3. pp. 2-14
  4. DOI: 10.1353/cnf.2019.0001
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  1. A World of Possibilities: Carlos Prince’s Unique Treatise on Amerindian Origins
  2. Michael T. Ward
  3. pp. 15-27
  4. DOI: 10.1353/cnf.2019.0026
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  1. “Solo el caballo al hombre desengaña:” : escenografía y didáctica en La cena del rey Baltasar
  2. Carmen Saen de Casas
  3. pp. 28-40
  4. DOI: 10.1353/cnf.2019.0027
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  1. Time and the Environment: “Slow Violence” in Benito Pérez Galdós’s Doña Perfecta and Marianela
  2. Sarah Sierra
  3. pp. 41-56
  4. DOI: 10.1353/cnf.2019.0028
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  1. Feminidades transgresoras: Soldaderas revolucionarias y milicianas españolas
  2. Angélica García Genel
  3. pp. 57-68
  4. DOI: 10.1353/cnf.2019.0029
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  1. Gloria escribe versos: mujer y escritura en el mundo poético de Gloria Fuertes
  2. Verónica Leuci
  3. pp. 69-81
  4. DOI: 10.1353/cnf.2019.0030
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  1. Narrating Urban Alterity in a Neoliberal Age: Sylvia Iparraguirre’s El muchacho de los senos de goma
  2. Jason Youngkeit
  3. pp. 82-95
  4. DOI: 10.1353/cnf.2019.0031
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  1. The Art of Self-translation: Esmeralda, a Multilingual Short Story by Roberta Fernández
  2. An Van Hecke
  3. pp. 96-104
  4. DOI: 10.1353/cnf.2019.0032
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  1. Dos voces autotraductoras de América Latina: Sergio Waisman y Paloma Vidal
  2. Ilse Logie
  3. pp. 105-118
  4. DOI: 10.1353/cnf.2019.0033
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  1. Representing Realities: The Role of Documentary in It all Started at the End (2015) by Luis Ospina
  2. Cindy Bonilla
  3. pp. 132-143
  4. DOI: 10.1353/cnf.2019.0035
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  1. Entrevista con Juan Villoro: “La crónica tiene un contrato con la verdad”
  2. Luvia Estrella Morales
  3. pp. 146-152
  4. DOI: 10.1353/cnf.2019.0036
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  1. Ciudad, luz y fronteras. Los inicios de Chus Gutiérrez en el cine*
  2. Sagrario Beceiro, Begoña Herrero
  3. pp. 153-158
  4. DOI: 10.1353/cnf.2019.0037
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  1. Iglesia y justicia social: Los curas obreros en la Diócesis de Cádiz y Ceuta (1966–1979)
  2. Daniel Arroyo-Rodríguez
  3. pp. 160-162
  4. DOI: 10.1353/cnf.2019.0038
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  1. Lorca, el embajador cultural
  2. Héctor Leví Caballero Artigas
  3. pp. 163-164
  4. DOI: 10.1353/cnf.2019.0039
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  1. The Future of Spanish Academia: Multidisciplinary Approaches to the Literary Phenomenon
  2. José Manuel Correoso-Rodenas
  3. pp. 165-167
  4. DOI: 10.1353/cnf.2019.0040
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  1. Of Curses and Beards: Reclaiming Herstories
  2. Ana Roncero-Bellido
  3. pp. 168-170
  4. DOI: 10.1353/cnf.2019.0041
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  1. From Artistic Artillery to Fully Automated Cultural Production
  2. Andrew Bentley
  3. pp. 171-174
  4. DOI: 10.1353/cnf.2019.0042
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  1. Underlying a Critical Ideology of Motherhood: Communal Agency in Immigrant Mothers’ Narratives
  2. Adriana Goenaga Ruiz de Zuazu
  3. pp. 175-177
  4. DOI: 10.1353/cnf.2019.0043
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  1. Lectura para la Convivencia: Microrrelatos en catalán, gallego y vasco
  2. Darío Hernández
  3. pp. 178-180
  4. DOI: 10.1353/cnf.2019.0044
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  1. El Ave de Minerva
  2. Nora Strejilevich
  3. pp. 181-183
  4. DOI: 10.1353/cnf.2019.0045
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  1. Tríptico de la existencia
  2. Carmen María López
  3. pp. 186-189
  4. DOI: 10.1353/cnf.2019.0046
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  1. Maculadas Sin Remedio: tres casos de represión en la creación visual
  2. Inmaculada Rodríguez-Cunill
  3. pp. 190-197
  4. DOI: 10.1353/cnf.2019.0047
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