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Table of Contents

  1. George Eliot’s “Moral Swindlers” and the Case of Baudelaire
  2. Louis Marvick
  3. pp. 111-123
  4. DOI: https://doi.org/10.1353/vct.2019.0017
  5. restricted access
  1. Architecture and Perception: The Science of Art in Ruskin
  2. Ann Gagné
  3. pp. 124-137
  4. DOI: https://doi.org/10.1353/vct.2019.0014
  5. restricted access
  1. Rebuilding the World at the Crystal Palace: Architectural Discourse at the 1851 Great Exhibition
  2. Christina Henderson Harner
  3. pp. 138-158
  4. DOI: https://doi.org/10.1353/vct.2019.0015
  5. restricted access
  1. A Crucified God: Charles Kingsley’s Broad-Church Embodiment in Hypatia
  2. Christian Dickinson
  3. pp. 159-176
  4. DOI: https://doi.org/10.1353/vct.2019.0011
  5. restricted access
  1. The Queen, The Woman of No Importance, and The Press: A Nexus in Moral Policing
  2. Catherine Layton
  3. pp. 177-193
  4. DOI: https://doi.org/10.1353/vct.2019.0016
  5. restricted access
  1. George Eliot’s “The Lifted Veil” and “Brother Jacob” as Expressions of Her Personal Anxieties
  2. Constance M. Fulmer
  3. pp. 194-205
  4. DOI: https://doi.org/10.1353/vct.2019.0013
  5. restricted access
  1. Oscar Wilde: The Unrepentant Years by Nicholas Frankel (review)
  2. Nikolai Endres
  3. pp. 206-208
  4. DOI: https://doi.org/10.1353/vct.2019.0012
  5. restricted access
  1. Contributors
  3. pp. 209-210
  4. DOI: https://doi.org/10.1353/vct.2019.0010
  5. restricted access