1. The National Union Catalog, Pre-1956 Imprints as a Primary Source for Historical Research in Music
  2. Amanda L. Scott
  3. pp. 223-237
  4. DOI: 10.1353/not.2019.0091
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  1. Prices of Music Monographs and Scores as Reflected in Notes, 2012–2018
  2. Paul Cary
  3. pp. 238-245
  4. DOI: 10.1353/not.2019.0092
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  1. Notes for Notes
  2. pp. 246-249
  3. DOI: 10.1353/not.2019.0093
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  1. The Montpellier Codex: The Final Fascicle; Contents, Contexts, Chronologies ed. by Catherine A. Bradley and Karen Desmond (review)
  2. Karen M. Cook
  3. pp. 250-253
  4. DOI: 10.1353/not.2019.0094
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  1. Mozart in Vienna: The Final Decade by Simon P. Keefe (review)
  2. Laurel E. Zeiss
  3. pp. 255-258
  4. DOI: 10.1353/not.2019.0096
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  1. Varieties of Musical Irony: From Mozart to Mahler by Michael Cherlin (review)
  2. Scott C. Schumann
  3. pp. 258-261
  4. DOI: 10.1353/not.2019.0097
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  1. The Romantic Overture and Musical Form from Rossini to Wagner by Steven Vande Moortele (review)
  2. Reeves Shulstad
  3. pp. 261-263
  4. DOI: 10.1353/not.2019.0098
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  1. Brahms and His Poets: A Handbook by Natasha Loges (review)
  2. Sara McClure
  3. pp. 263-265
  4. DOI: 10.1353/not.2019.0099
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  1. French Vocal Literature: Repertoire in Context by Georgine Resick (review)
  2. Megan Sarno
  3. pp. 265-268
  4. DOI: 10.1353/not.2019.0100
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  1. The Music and Music Theory of Paul Hindemith by Simon Desbruslais (review)
  2. Joel Haney
  3. pp. 268-271
  4. DOI: 10.1353/not.2019.0101
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  1. Cultivating String Quartets in Beethoven's Vienna by Nancy November (review)
  2. Elizabeth Kramer
  3. pp. 271-274
  4. DOI: 10.1353/not.2019.0102
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  1. Czech Music around 1900 by Křupková, Jiří Kopecký et al. (review)
  2. Albrecht Gaub
  3. pp. 274-277
  4. DOI: 10.1353/not.2019.0103
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  1. Singing in the Age of Anxiety: Lieder Performances in New York and London between the World Wars by Laura Tunbridge (review)
  2. Michelle Meinhart
  3. pp. 277-280
  4. DOI: 10.1353/not.2019.0104
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  1. Renegotiating French Identity: Musical Culture and Creativity in France during Vichy and the German Occupation by Jane F. Fulcher (review)
  2. Julie Cleary
  3. pp. 280-282
  4. DOI: 10.1353/not.2019.0105
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  1. Music in the West Country: Social and Cultural History across an English Region by Stephen Banfield (review)
  2. Georg Burgstaller
  3. pp. 282-284
  4. DOI: 10.1353/not.2019.0106
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  1. Tyranny and Music ed. by Joseph E. Morgan and Gregory N. Reish (review)
  2. Liz Crisenbery
  3. pp. 285-286
  4. DOI: 10.1353/not.2019.0107
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  1. Flip the Script: European Hip Hop and the Politics of Postcoloniality by J. Griffith Rollefson (review)
  2. Nicholas Stevens
  3. pp. 287-289
  4. DOI: 10.1353/not.2019.0108
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  1. Making New Music in Cold War Poland: The Warsaw Autumn Festival, 1956–1968 by Lisa Jakelski (review)
  2. Siel Agugliaro
  3. pp. 290-293
  4. DOI: 10.1353/not.2019.0109
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  1. The Courage of Composers and the Tyranny of Taste: Reflections on New Music by Bálint András Varga (review)
  2. Toby Young
  3. pp. 293-296
  4. DOI: 10.1353/not.2019.0110
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  1. Listening for Africa: Freedom, Modernity, and the Logic of Black Music's African Origins by David F. Garcia (review)
  2. Francisco D. Lara
  3. pp. 296-298
  4. DOI: 10.1353/not.2019.0111
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  1. Aldo Parisot, the Cellist: The Importance of the Circle by Susan Hawkshaw (review)
  2. Bryan Hayslett
  3. pp. 298-300
  4. DOI: 10.1353/not.2019.0112
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  1. Globalizing Music Education: A Framework by Alexandra Kertz-Welzel (review)
  2. Amy Jackson
  3. pp. 300-303
  4. DOI: 10.1353/not.2019.0113
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  1. Hollywood Harmony: Musical Wonder and the Sound of Cinema by Frank Lehman (review)
  2. Alex Bádue
  3. pp. 303-306
  4. DOI: 10.1353/not.2019.0114
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  1. Unlimited Replays: Video Games and Classical Music by William Gibbons (review)
  2. Julianne Grasso
  3. pp. 306-309
  4. DOI: 10.1353/not.2019.0115
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  1. Music Description and Access: Solving the Puzzle of Cataloging by Jean Harden (review)
  2. Casey A. Mullin
  3. pp. 309-311
  4. DOI: 10.1353/not.2019.0116
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  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 312-316
  4. DOI: 10.1353/not.2019.0117
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  1. Music Ally (review)
  2. Rachel Fox Von Swearingen
  3. pp. 317-319
  4. DOI: 10.1353/not.2019.0118
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  1. Messe solennelle (Ste-Cécile) pour soli, choeurs et orchestre by Charles Gounod (review)
  2. Erick Arenas
  3. pp. 320-322
  4. DOI: 10.1353/not.2019.0119
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  1. Job: A Masque for Dancing by Ralph Vaughan Williams (review)
  2. Nigel Simeone
  3. pp. 322-327
  4. DOI: 10.1353/not.2019.0120
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  1. Music Received
  2. Kathleen A. Abromeit
  3. pp. 328-336
  4. DOI: 10.1353/not.2019.0121
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  1. Index to Advertisers
  2. pp. 339-357
  3. DOI: 10.1353/not.2019.0122
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