1. From the Editor
  2. Jennifer L. Airey
  3. pp. 283-284
  4. DOI: 10.1353/tsw.2019.0023
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  1. Reforming Count D’elmont: Masculinity, Sympathy, and Reading in Eliza Haywood’s Love in Excess
  2. Mary Beth Harris
  3. pp. 285-311
  4. DOI: 10.1353/tsw.2019.0024
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  1. The Poetics of Maria Smith Abdy: Wielding the Sword and the Shield
  2. Virginia Hromulak
  3. pp. 313-335
  4. DOI: 10.1353/tsw.2019.0025
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  1. Celebrating and Singing, Bleeding and Pining: Embodiment and Emotion in Walt Whitman and Adah Isaacs Menken
  2. Julie McCown
  3. pp. 337-355
  4. DOI: 10.1353/tsw.2019.0026
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  1. Mary Butts and the “War-fairy-tale”: Femininity, Archaeology, and Great War Rhetoric in Ashe of Rings
  2. Angie Blumberg
  3. pp. 357-379
  4. DOI: 10.1353/tsw.2019.0027
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  1. Speculative Black Maternity: Fran Ross’s Oreo and Ntozake Shange’s Sassafrass, Cypress and Indigo
  2. Angela Rovak
  3. pp. 381-405
  4. DOI: 10.1353/tsw.2019.0028
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  1. Subverting Gender, Patriarchy, and Nation in Carolina De Robertis’s The Gods of Tango
  2. Kathryn Quinn-Sánchez
  3. pp. 407-423
  4. DOI: 10.1353/tsw.2019.0029
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  1. “Printing books shall eventually be my trade”: Piecing Together the History of Diane di Prima’s Poets Press
  2. Jolie Braun
  3. pp. 425-433
  4. DOI: 10.1353/tsw.2019.0030
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  1. When Your Friend Is Also a Mentor: The Mentrix Identity
  2. Nancy K. Miller
  3. pp. 435-441
  4. DOI: 10.1353/tsw.2019.0031
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  1. Mihrî Hatun: Performance, Gender-Bending, and Subversion in Ottoman Intellectual History by Didem Havlioğlu (review)
  2. Michael D. Sheridan
  3. pp. 443-445
  4. DOI: 10.1353/tsw.2019.0032
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  1. Women, Rhetoric, and Drama in Early Modern Italy by Alexandra Coller (review)
  2. Caterina Mongiat Farina
  3. pp. 446-448
  4. DOI: 10.1353/tsw.2019.0033
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  1. Women, Food Exchange, and Governance in Early Modern England by Madeline Bassnett (review)
  2. Elisa Tersigni
  3. pp. 448-450
  4. DOI: 10.1353/tsw.2019.0034
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  1. Hearing Voices: Aurality and New Spanish Sound Culture in Sor Juana Inés de la Cruz by Sarah Finley (review)
  2. Colleen R. Baade
  3. pp. 451-453
  4. DOI: 10.1353/tsw.2019.0035
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  1. Her Voice Will Be on the Side of Right: Gender and Power in Women’s Antebellum Antislavery Fiction by Holly M. Kent (review)
  2. Kara B. Clevinger
  3. pp. 453-454
  4. DOI: 10.1353/tsw.2019.0036
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  1. Self-Harm in New Woman Writing by Alexandra Gray (review)
  2. Casey Cothran
  3. pp. 458-459
  4. DOI: 10.1353/tsw.2019.0038
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  1. Vivien Leigh: Actress and Icon ed. by Kate Dorney, Maggie B. Gale (review)
  2. Laura Engel
  3. pp. 460-462
  4. DOI: 10.1353/tsw.2019.0039
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  1. Women Fight, Women Write: Texts on the Algerian War by Mildred Mortimer (review)
  2. Patricia Geesey
  3. pp. 462-465
  4. DOI: 10.1353/tsw.2019.0040
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  1. Spiral of Silence by Elvira Sánchez-Blake (review)
  2. María Constanza Guzmán
  3. pp. 465-467
  4. DOI: 10.1353/tsw.2019.0041
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  1. Clever Girls and the Literature of Women’s Upward Mobility by Mary Eagleton (review)
  2. Faye Hammill
  3. pp. 467-469
  4. DOI: 10.1353/tsw.2019.0042
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  1. The “Ulysses” Delusion: Rethinking Standards of Literary Merit by Cecilia Konchar Farr (review)
  2. Mallory Young
  3. pp. 469-471
  4. DOI: 10.1353/tsw.2019.0043
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  1. My Brilliant Friends: Our Lives in Feminism by Nancy K. Miller (review)
  2. Joli Jensen
  3. pp. 474-476
  4. DOI: 10.1353/tsw.2019.0045
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  1. Books Received
  2. pp. 477-479
  3. DOI: 10.1353/tsw.2019.0046
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