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In this Issue

Table of Contents

  1. An Illegitimate Legacy: Essays in Romantic Theater History in Memory of Jane Moody
  2. Kevin Gilmartin
  3. pp. 151-158
  4. DOI: https://doi.org/10.1353/srm.2015.0020
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  1. “Illegitimate” Pantomime in the “Legitimate” Theater: Context as Text
  2. Jeffrey N. Cox
  3. pp. 159-186
  4. DOI: https://doi.org/10.1353/srm.2015.0021
  5. restricted access
  1. That “Fine Word” Illegitimate: Children in Late Georgian Theater
  2. Julie A. Carlson
  3. pp. 187-209
  4. DOI: https://doi.org/10.1353/srm.2015.0022
  5. restricted access
  1. Anticipating Histories: Emotional Life at Covent Garden Theatre, February 1811
  2. Daniel O’Quinn
  3. pp. 211-239
  4. DOI: https://doi.org/10.1353/srm.2015.0023
  5. restricted access
  1. “Announcing each day the performances”: Playbills, Ephemerality, and Romantic Period Media/Theater History
  2. Gillian Russell
  3. pp. 241-268
  4. DOI: https://doi.org/10.1353/srm.2015.0024
  5. restricted access
  1. “The Frighted Stage”: The Sensational Proliferation of Ghost Melodrama in the 1820s
  2. Diego Saglia
  3. pp. 269-293
  4. DOI: https://doi.org/10.1353/srm.2015.0025
  5. restricted access
  1. Response
  2. Greg Kucich
  3. pp. 295-298
  4. DOI: https://doi.org/10.1353/srm.2015.0026
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  1. Notes on Contributors
  3. pp. 299-300
  4. DOI: https://doi.org/10.1353/srm.2015.0027
  5. restricted access