1. Introduction: The Ethics of the Image: Historical Events, Practice, Media
  2. Birgit Tautz
  3. pp. 1-9
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  1. A Woman’s Petrified Gaze at the Dead: Uncovering the Troubled Ethics Behind an Iconic Image of Bombing War Against Nazi Germany
  2. Christoph Weber
  3. pp. 10-29
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  1. Art in the Anthropocene: Christa Wolf’s Störfall (Accident) and Günther Uecker’s Aschebilder (Ash Paintings)
  2. Friederike Eigler
  3. pp. 30-49
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  1. Paul Poet transforms Christoph Schlingensief’s Container Project: Performance into Image
  2. Birgit Tautz
  3. pp. 50-67
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  1. The Vitruvian Source of Marvell’s Tortoise in “Upon Appleton House, To My Lord Fairfax
  2. Dylan Goldblatt
  3. pp. 68-84
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  1. Civilizing Mob into Men: Race, Temporality, and the West in Margaret Fuller’s Summer on the Lakes, in 1843
  2. Seung Hee Lee
  3. pp. 85-104
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  1. Neoliberalism and Contemporary Literary Culture ed. by Mitchum Huehls and Rachel Greenwald Smith (review)
  2. Edward Ardeneaux IV
  3. pp. 105-108
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  1. Brian De Palma’s Split-Screen: A Life in Film by Douglas Keesey (review)
  2. Ian Maxwell Radzinski
  3. pp. 108-110
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  1. Heidegger and the Jews: The Black Notebooks by Donatella Di Cesare (review)
  2. William Vaughan
  3. pp. 110-112
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  1. Notes on Contributors
  2. p. 113
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  1. Books Received
  2. p. 114
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