In this Issue

Table of Contents

Introduction: The Ethics of the Image: Historical Events, Practice, Media

Birgit Tautz
pp. 1-9
DOI: https://doi.org/10.1353/scr.2019.0021
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A Woman’s Petrified Gaze at the Dead: Uncovering the Troubled Ethics Behind an Iconic Image of Bombing War Against Nazi Germany

Christoph Weber
pp. 10-29
DOI: https://doi.org/10.1353/scr.2019.0022
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Art in the Anthropocene: Christa Wolf’s Störfall (Accident) and Günther Uecker’s Aschebilder (Ash Paintings)

Friederike Eigler
pp. 30-49
DOI: https://doi.org/10.1353/scr.2019.0023
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Paul Poet transforms Christoph Schlingensief’s Container Project: Performance into Image

Birgit Tautz
pp. 50-67
DOI: https://doi.org/10.1353/scr.2019.0024
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The Vitruvian Source of Marvell’s Tortoise in “Upon Appleton House, To My Lord Fairfax

Dylan Goldblatt
pp. 68-84
DOI: https://doi.org/10.1353/scr.2019.0025
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Civilizing Mob into Men: Race, Temporality, and the West in Margaret Fuller’s Summer on the Lakes, in 1843

Seung Hee Lee
pp. 85-104
DOI: https://doi.org/10.1353/scr.2019.0026
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Neoliberalism and Contemporary Literary Culture ed. by Mitchum Huehls and Rachel Greenwald Smith (review)

Edward Ardeneaux IV
pp. 105-108
DOI: https://doi.org/10.1353/scr.2019.0027
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Brian De Palma’s Split-Screen: A Life in Film by Douglas Keesey (review)

Ian Maxwell Radzinski
pp. 108-110
DOI: https://doi.org/10.1353/scr.2019.0028
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Heidegger and the Jews: The Black Notebooks by Donatella Di Cesare (review)

William Vaughan
pp. 110-112
DOI: https://doi.org/10.1353/scr.2019.0029
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Notes on Contributors

p. 113
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Books Received

p. 114
DOI: https://doi.org/10.1353/scr.2019.0031
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