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In this Issue

Table of Contents

  1. Introduction: The Ethics of the Image: Historical Events, Practice, Media
  2. Birgit Tautz
  3. pp. 1-9
  4. DOI: https://doi.org/10.1353/scr.2019.0021
  5. restricted access
  1. Paul Poet transforms Christoph Schlingensief’s Container Project: Performance into Image
  2. Birgit Tautz
  3. pp. 50-67
  4. DOI: https://doi.org/10.1353/scr.2019.0024
  5. restricted access
  1. The Vitruvian Source of Marvell’s Tortoise in “Upon Appleton House, To My Lord Fairfax
  2. Dylan Goldblatt
  3. pp. 68-84
  4. DOI: https://doi.org/10.1353/scr.2019.0025
  5. restricted access
  1. Civilizing Mob into Men: Race, Temporality, and the West in Margaret Fuller’s Summer on the Lakes, in 1843
  2. Seung Hee Lee
  3. pp. 85-104
  4. DOI: https://doi.org/10.1353/scr.2019.0026
  5. restricted access
  1. Neoliberalism and Contemporary Literary Culture ed. by Mitchum Huehls and Rachel Greenwald Smith (review)
  2. Edward Ardeneaux IV
  3. pp. 105-108
  4. DOI: https://doi.org/10.1353/scr.2019.0027
  5. restricted access
  1. Brian De Palma’s Split-Screen: A Life in Film by Douglas Keesey (review)
  2. Ian Maxwell Radzinski
  3. pp. 108-110
  4. DOI: https://doi.org/10.1353/scr.2019.0028
  5. restricted access
  1. Heidegger and the Jews: The Black Notebooks by Donatella Di Cesare (review)
  2. William Vaughan
  3. pp. 110-112
  4. DOI: https://doi.org/10.1353/scr.2019.0029
  5. restricted access
  1. Notes on Contributors
  2. p. 113
  3. restricted access
  1. Books Received
  2. p. 114
  3. DOI: https://doi.org/10.1353/scr.2019.0031
  4. restricted access