In this Issue
Black Camera is devoted to the study and documentation of the black cinematic experience and is the only scholarly film journal of its kind in the United States. It regularly features essays and interviews that engage film in social as well as political distribution, and production of film in local, regional, national, and transnational settings and environments.
published by
Indiana University Pressviewing issue
Volume 11, 2019-2020 (The New Series), Number 1, Fall 2019Table of Contents

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View The Practice of Curating the June Givanni Pan African Cinema Archive: A Conversation with the Founding Director
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View Recovering the Chicano Social Problem Film: Racial Consciousness, Rita Moreno, and the Historiography of The Ring (1952)
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View Wind, Water, Women: Liminal Spaces and Border Crossings Between Puerto Rico and the Dominican Republic
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View Caribbeing Continuum: Progression of a Cinema Eyealect in the Motion Picture Feature Haiti Bride
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A Pan-African Perspective on Apartheid, Torture, and Resistance in Euzhan Palcy's A Dry White Season

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View A Pan-African Perspective on Apartheid, Torture, and Resistance in Euzhan Palcy's A Dry White Season
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View "The Race to Modernization": Film Culture in the British West Indies Around the Mid-Twentieth Century
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View Beyond a Boundary: The Gangsta as Modern Black Subject in Contemporary Jamaican Art Practices
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View A Genealogical Interpretation of Plato's Allegory, Through the Lens of JAY-Z, the Re-Envisioned Philosopher King
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ISSN | 1947-4237 |
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Print ISSN | 1536-3155 |
Launched on MUSE | 2019-11-27 |
Open Access | No |