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Table of Contents

  1. Preface
  2. Cristina Bacchilega, Anne E. Duggan
  3. pp. 113-118
  4. DOI: https://doi.org/10.13110/narrcult.6.2.0113
  5. restricted access
  1. Camera Obscura and Zoetrope: Tarsem and Magic/Reality in Transcultural Fairy-Tale Film
  2. Pauline Greenhill
  3. pp. 119-139
  4. DOI: https://doi.org/10.13110/narrcult.6.2.0119
  5. restricted access
  1. Revolutionary America from Concord and Lexington to Ferguson: Folk Transmediation of Historical Storytelling
  2. Anne Kustritz
  3. pp. 140-160
  4. DOI: https://doi.org/10.13110/narrcult.6.2.0140
  5. restricted access
  1. Rodgers and Hammerstein's Cinderella: Agency and Possibility amidst Conflict and Wonder
  2. Jill Terry Rudy
  3. pp. 161-187
  4. DOI: https://doi.org/10.13110/narrcult.6.2.0161
  5. restricted access
  1. Disney's Moana, the Colonial Screenplay, and Indigenous Labor Extraction in Hollywood Fantasy Films
  2. Ida Yoshinaga
  3. pp. 188-215
  4. DOI: https://doi.org/10.13110/narrcult.6.2.0188
  5. restricted access
  1. The Fag End of Fāgogo
  2. Dan Taulapapa McMullin
  3. pp. 216-228
  4. DOI: https://doi.org/10.13110/narrcult.6.2.0216
  5. restricted access
  1. Moʻolelo as Resistance: The Kaona of "Kahalaopuna" in a Colonized Environment
  2. J. Uluwehi Hopkins
  3. pp. 229-259
  4. DOI: https://doi.org/10.13110/narrcult.6.2.0229
  5. restricted access