1. Entailing the Nation: Inheritance and History in Walter Scott’s The Antiquary
  2. Natasha Tessone
  3. pp. 149-177
  4. DOI: 10.1353/srm.2012.0027
  5. free access
  1. Wordsworth’s “Away, away, it is the air”: A Textual, Intertextual, and Contextual Reading
  2. John Hughes
  3. pp. 179-205
  4. DOI: 10.1353/srm.2012.0028
  5. free access
  1. Controversial Crabbe: A “ Namby-Pamby Mandeville”
  2. Travis Feldman
  3. pp. 207-231
  4. DOI: 10.1353/srm.2012.0029
  5. free access
  1. Blake: Milton Inside Milton
  2. Paul Miner
  3. pp. 233-276
  4. DOI: 10.1353/srm.2012.0030
  5. free access
  1. Samuel Taylor Coleridge and the Fine Arts by Morton D. Paley (review)
  2. Anya Taylor
  3. pp. 277-280
  4. DOI: 10.1353/srm.2012.0031
  5. free access
  1. Real Money and Romanticism by Matthew Rowlinson (review)
  2. Alexander Dick
  3. pp. 280-284
  4. DOI: 10.1353/srm.2012.0032
  5. free access
  1. Wordsworth’s Poetic Theory: Knowledge, Language, Experience ed. by Alexander Regier, Stefan H. Uhlig (review)
  2. Kurt Fosso
  3. pp. 284-288
  4. DOI: 10.1353/srm.2012.0033
  5. free access
  1. Romanticism and Improvisation, 1750–1850 by Angela Esterhammer (review)
  2. Michael Caesar
  3. pp. 288-291
  4. DOI: 10.1353/srm.2012.0034
  5. free access
  1. The Tooth that Nibbles at the Soul: Essays on Music and Poetry by Marshall Brown (review)
  2. Gillen D’Arcy Wood
  3. pp. 292-296
  4. DOI: 10.1353/srm.2012.0035
  5. free access
  1. Strange Truths in Undiscovered Lands: Shelley’s Poetic Development and Romantic Geography by Nahoko Miyamoto Alvey (review)
  2. Nicholas Birns
  3. pp. 296-300
  4. DOI: 10.1353/srm.2012.0036
  5. free access
  1. Notes on Contributors
  2. pp. 301-302
  3. DOI: 10.1353/srm.2012.0037
  4. free access