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Table of Contents

  1. “Cracked Across”: Blake, Milton, and the Noise of History
  2. Steven Goldsmith
  3. pp. 305-342
  4. DOI: https://doi.org/10.1353/srm.2012.0014
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  1. Reading Keats to the Letter: e
  2. Mark Jones
  3. pp. 343-373
  4. DOI: https://doi.org/10.1353/srm.2012.0015
  5. restricted access
  1. Transcendental Buffoonery: Jacob Dousterswivel and the Romantic Irony of Blackwood's
  2. Christopher J. Scalia
  3. pp. 375-398
  4. DOI: https://doi.org/10.1353/srm.2012.0016
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  1. The Romantic Fragment Poem and the Performance of Form
  2. Andrew Allport
  3. pp. 399-417
  4. DOI: https://doi.org/10.1353/srm.2012.0017
  5. restricted access
  1. Killing Mrs. Siddons: The Actress and the Adulteress in Late Georgian Britain
  2. Gillian Russell
  3. pp. 419-448
  4. DOI: https://doi.org/10.1353/srm.2012.0018
  5. restricted access
  1. Further Letters of Joanna Baillie ed. by Thomas McLean (review)
  2. Catherine Burroughs
  3. pp. 449-452
  4. DOI: https://doi.org/10.1353/srm.2012.0019
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  1. Romanticism and the Uses of Genre by David Duff (review)
  2. Karen Weisman
  3. pp. 453-455
  4. DOI: https://doi.org/10.1353/srm.2012.0020
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  1. Organising Poetry: The Coleridge Circle, 1790–1798 by David Fairer (review)
  2. Scott Krawczyk
  3. pp. 455-460
  4. DOI: https://doi.org/10.1353/srm.2012.0021
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  1. Blake’s Gifts: Poetry and the Politics of Exchange by Sarah Haggarty (review)
  2. Matthew Rowlinson
  3. pp. 461-463
  4. DOI: https://doi.org/10.1353/srm.2012.0022
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  1. The Suffering Traveller and the Romantic Imagination by Carl Thompson (review)
  2. Jonathan Lamb
  3. pp. 463-467
  4. DOI: https://doi.org/10.1353/srm.2012.0023
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  1. Selected Studies in Romantic and American Literature, History, and Culture: Inventions and Interventions by Charles J. Rzepka (review)
  2. Karen Fang
  3. pp. 467-470
  4. DOI: https://doi.org/10.1353/srm.2012.0024
  5. restricted access
  1. Notes on Contributors
  3. pp. 471-472
  4. DOI: https://doi.org/10.1353/srm.2012.0025
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