In this Issue

Table of Contents

are we / a measure

Jaime Shearn Coan
pp. 2-3
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Algorithms and Performance: An Introduction

Elise Morrison, Tavia Nyong’o, Joseph Roach
pp. 8-13
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Algorithms and Interoperability between Drama and Artificial Intelligence

Antonio Pizzo, Vincenzo Lombardo, Rossana Damiano
pp. 14-32
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Capturing the World with Performance: John Cage’s Probabilistic Aesthetics for the Digital Age

Konrad Wojnowski
pp. 33-56
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Krapp’s Last Tape and Breath as Performance Algorithms: A Heuristic

Treena Balds
pp. 57-65
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The Algorithmic Spectator: Watching Annie Dorsen’s Work

Miriam Felton-Dansky
pp. 66-87
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Perspectives on Algorithmic Performance through the Lens of Interactive Art

David Rokeby
pp. 88-98
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Performing the Digital and AI: In Conversation with Antje Budde and David Rokeby

Pia Kleber, Tamara Trojanowska
pp. 99-112
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Plato, Procedures, and Artificial Everything

Annie Dorsen
pp. 113-120
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Theatres of Control: The Performance of Algorithms and the Question of Governance

Ulf Otto
pp. 121-138
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“I am not just a me but I’m also a we”: Algorithmic Culture and Netflix’s Sense8

Rye Gentleman
pp. 139-151
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Streaking

Shaka McGlotten
pp. 152-171
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Legacies of Loss and Trauma, Healing and Redemption: Cape Town Live Art Festival

Ketu H. Katrak
pp. 172-180
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Sold! Restaging Dance, Death, and Disability

Pedzisai Maedza
pp. 181-187
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Freak Performances: Dissidence in Latin American Theater by Analola Santana (review)

Diana Taylor
pp. 189-190
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Abject Performances: Aesthetic Strategies in Latino Cultural Production by Leticia Alvarado (review)

Leticia Robles-Moreno
pp. 190-192
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Populism and Performance in the Bolivarian Revolution of Venezuela by Angela Marino (review)

Joshua L. Truett
pp. 193-194
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Choreographing the Airport: Field Notes from the Transit Spaces of Global Mobility by Justine Shih Pearson (review)

Sophie Nield
pp. 195-196
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After the Party: A Manifesto for Queer of Color Life by Joshua Chambers-Letson (review)

Iván A. Ramos
pp. 196-198
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Sensual Excess: Queer Femininity and Brown Jouissance by Amber Jamilla Musser, and: Afro-Fabulations: The Queer Drama of Black Life by Tavia Nyong’o (review)

Camille S. Owens
pp. 199-201
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More Books

Anna Jayne Kimmel
pp. 202-204
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