1. Leibniz, the Infinite, and Blake’s Early Metaphysics
  2. Joseph Fletcher
  3. pp. 129-155
  4. DOI: 10.1353/srm.2017.0020
  5. free access
  1. Moles, Molehills, and Common Right in John Clare’s Poetry
  2. Katey Castellano
  3. pp. 157-176
  4. DOI: 10.1353/srm.2017.0021
  5. free access
  1. Limited Analogies: Reading Relations in Wordsworth’s The Borderers
  2. Taylor Schey
  3. pp. 177-201
  4. DOI: 10.1353/srm.2017.0022
  5. free access
  1. “Sent Here For Her Health”: Accounting for Sanditon’s Economies
  2. Rebecca Richardson
  3. pp. 203-222
  4. DOI: 10.1353/srm.2017.0023
  5. free access
  1. Fancy’s Eye: Poetic Vision and the Romantic Air Balloon
  2. Ivan Ortiz
  3. pp. 253-284
  4. DOI: 10.1353/srm.2017.0025
  5. free access
  1. Romanticism, Self-Canonization, and the Business of Poetry by Michael Gamer (review)
  2. Octavia Cox
  3. pp. 285-288
  4. DOI: 10.1353/srm.2017.0026
  5. free access
  1. Mary Robinson and the Genesis of Romanticism: Literary Dialogues and Debts, 1784–1821 by Ashley Cross (review)
  2. Kate Singer
  3. pp. 288-293
  4. DOI: 10.1353/srm.2017.0027
  5. free access
  1. British Romanticism and the Critique of Political Reason by Timothy Michael (review)
  2. Jamison Kantor
  3. pp. 293-297
  4. DOI: 10.1353/srm.2017.0028
  5. free access
  1. Ornamental Aesthetics: The Poetry of Attending in Thoreau, Dickinson, and Whitman by Theo Davis (review)
  2. Alex Moskowitz
  3. pp. 297-300
  4. DOI: 10.1353/srm.2017.0029
  5. free access
  1. Historical Style: Fashion and the New Mode of History, 1740–1830 by Timothy Campbell (review)
  2. Chloe Wigston Smith
  3. pp. 300-303
  4. DOI: 10.1353/srm.2017.0030
  5. free access
  1. Notes on Contributors
  2. pp. 305-306
  3. DOI: 10.1353/srm.2017.0031
  4. free access