In this Issue
This literary gem, the rebirth of a short-lived review from the mid-twentieth century, publishes the finest in contemporary letters. Featuring fiction, poetry, memoirs, essays on literature, drama, film, the visual arts, music and dance, The Hopkins Review has been called a "postmodern blend of intellectual heft and Vaudeville" by Susan McCallum-Smith of WYPR and Urbanite magazine. Contributors include literary and scholarly heavyweights such as Max Apple, John Barth, Donald Barthelme, Millard Kaufman, Frank Kermode, and many others.
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Johns Hopkins University Pressviewing issue
Volume 12, Number 4, Fall 2019Table of Contents
- Works on Paper
- pp. 2-10
- DOI: 10.1353/thr.2019.0094
- Simple Machines
- pp. 469-474
- DOI: 10.1353/thr.2019.0081
- Basically A Detective
- pp. 475-487
- DOI: 10.1353/thr.2019.0082
- Cat's Cradle
- pp. 488-489
- DOI: 10.1353/thr.2019.0083
- The Night I Finished Auden
- p. 490
- DOI: 10.1353/thr.2019.0084
- Ferry's Wildman
- pp. 491-501
- DOI: 10.1353/thr.2019.0085
- Interview
- pp. 502-521
- DOI: 10.1353/thr.2019.0086
- Journey to the Hauchairi Territory
- pp. 524-533
- DOI: 10.1353/thr.2019.0089
- Thumbelina Moves On
- p. 534
- DOI: 10.1353/thr.2019.0090
- Holocausts, and: No Wonder Eddie Wears Cologne
- pp. 535-537
- DOI: 10.1353/thr.2019.0091
- Family Reunion
- pp. 538-539
- DOI: 10.1353/thr.2019.0092
- Melissa Meyer: Works on Paper
- pp. 540-541
- DOI: 10.1353/thr.2019.0093
- Slumming Angels
- pp. 543-553
- DOI: 10.1353/thr.2019.0095
- The Albatross
- p. 554
- DOI: 10.1353/thr.2019.0096
- American Divine
- p. 555
- DOI: 10.1353/thr.2019.0097
- The Sock-Off, and: Uluru
- pp. 556-557
- DOI: 10.1353/thr.2019.0098
- The Scottish Play
- pp. 558-566
- DOI: 10.1353/thr.2019.0099
- The Master Reads to Edith Wharton
- pp. 567-569
- DOI: 10.1353/thr.2019.0100
- Zemog and Ecneps: New Orleans, 1963
- pp. 570-571
- DOI: 10.1353/thr.2019.0101
- Calcutta in Naples: A Romance
- pp. 572-589
- DOI: 10.1353/thr.2019.0102
- Film Chronicle: A Quiet Place dir. by John Krasinski, and: The Shape of Water dir. by Guillermo del Toro, and: The Creature from the Black Lagoon dir. by Jack Arnold, and: Godzilla dir. by Ishiro Honda, and: The Day of the Triffids dir. by Ken Hannam, and: Cat People dir. by Jacques Tourneur, and: Cat People dir. by Paul Schrader, and: The Hunchback of Notre Dame dir. by Wallace Worsley, and: The Hunchback of Notre Dame dir. by William Dieterle, and: Der Golem, wie er in die Welt kam dir. by Paul Wegener and Carl Boese, and: Through a Glass Darkly dir. by Ingmar Bergman (review)
- pp. 590-598
- DOI: 10.1353/thr.2019.0078
- Foreigners and Americans
- pp. 598-605
- DOI: 10.1353/thr.2019.0080
- And After All by Rhina Espaillat (review)
- pp. 615-619
- DOI: 10.1353/thr.2019.0077
- Notes on Contributors
- pp. 620-623
- DOI: 10.1353/thr.2019.0103
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Additional Information
ISSN
1939-9774
Print ISSN
1939-6589
Launched on MUSE
2019-11-21
Open Access
No
Copyright
Copyright © The Johns Hopkins University Press and its Authors.
