In this Issue
The mission of The Hopkins Review is to publish today’s vital voices and visions in literature, culture, criticism, public-facing scholarship, and the arts. Established in 1947 by Elliott Coleman and relaunched in 2007 by John T. Irwin, it celebrated its 15th year of continuous publishing in 2022 with a commitment to creative excellence and its dynamic, diverse, and inclusive present and future.
Contributors to The Hopkins Review have included literary and scholarly luminaries such as John Barth, Donald Barthelme, Harold Bloom, Stephanie Burt, Erica Dawson, Stephen Dixon, Denis Donoghue, Claudia Emerson, Tony Eprile, Marilyn Hacker, Terrance Hayes, Vanessa Hua, Millard Kaufman, Frank Kermode, Richard A. Macksey, Jill McCorkle, Shane McCrae, Alice McDermott, Carl Phillips, Natalie Shapero, A. E. Stallings, Adrienne Su, Colm Tóibín, Helen Vendler, Claire Vaye Watkins, Afaa M. Weaver, C. Dale Young, and many others.
published by
Johns Hopkins University Pressviewing issue
Volume 12, Number 4, Fall 2019Table of Contents
- Works on Paper
- pp. 2-10
- DOI: https://doi.org/10.1353/thr.2019.0094
- Simple Machines
- pp. 469-474
- DOI: https://doi.org/10.1353/thr.2019.0081
- Basically A Detective
- pp. 475-487
- DOI: https://doi.org/10.1353/thr.2019.0082
- Cat's Cradle
- pp. 488-489
- DOI: https://doi.org/10.1353/thr.2019.0083
- Ferry's Wildman
- pp. 491-501
- DOI: https://doi.org/10.1353/thr.2019.0085
- Interview
- pp. 502-521
- DOI: https://doi.org/10.1353/thr.2019.0086
- Family Reunion
- pp. 538-539
- DOI: https://doi.org/10.1353/thr.2019.0092
- Melissa Meyer: Works on Paper
- pp. 540-541
- DOI: https://doi.org/10.1353/thr.2019.0093
- Slumming Angels
- pp. 543-553
- DOI: https://doi.org/10.1353/thr.2019.0095
- The Sock-Off, and: Uluru
- pp. 556-557
- DOI: https://doi.org/10.1353/thr.2019.0098
- The Scottish Play
- pp. 558-566
- DOI: https://doi.org/10.1353/thr.2019.0099
- Calcutta in Naples: A Romance
- pp. 572-589
- DOI: https://doi.org/10.1353/thr.2019.0102
- Film Chronicle: A Quiet Place dir. by John Krasinski, and: The Shape of Water dir. by Guillermo del Toro, and: The Creature from the Black Lagoon dir. by Jack Arnold, and: Godzilla dir. by Ishiro Honda, and: The Day of the Triffids dir. by Ken Hannam, and: Cat People dir. by Jacques Tourneur, and: Cat People dir. by Paul Schrader, and: The Hunchback of Notre Dame dir. by Wallace Worsley, and: The Hunchback of Notre Dame dir. by William Dieterle, and: Der Golem, wie er in die Welt kam dir. by Paul Wegener and Carl Boese, and: Through a Glass Darkly dir. by Ingmar Bergman (review)
- pp. 590-598
- DOI: https://doi.org/10.1353/thr.2019.0078
- Foreigners and Americans
- pp. 598-605
- DOI: https://doi.org/10.1353/thr.2019.0080
- Notes on Contributors
- pp. 620-623
- DOI: https://doi.org/10.1353/thr.2019.0103
Previous Issue
Next Issue
Additional Information
Copyright
Copyright © The Johns Hopkins University Press and its Authors.
