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Table of Contents

  1. Ham Jones, North Carolina Backwoods Humorist, and the Art of “Democratic Elbow-Rubbing”
  2. Ed Piacentino
  3. pp. 59-74
  4. DOI: https://doi.org/10.1353/mss.2011.0024
  5. restricted access
  1. Chopin’s Bildungsroman: Male Role Models in The Awakening
  2. Catherine Mainland
  3. pp. 75-85
  4. DOI: https://doi.org/10.1353/mss.2011.0025
  5. restricted access
  1. “Abysses of Solitude“: Chopin’s Intertextuality with Flaubert
  2. Jean Witherow
  3. pp. 87-113
  4. DOI: https://doi.org/10.1353/mss.2011.0026
  5. restricted access
  1. Marsha Norman's Bi-Regional Vision in ’night, Mother
  2. David Radavich
  3. pp. 115-128
  4. DOI: https://doi.org/10.1353/mss.2011.0027
  5. restricted access
  1. “He tossed his line out grimly”: Barry Hannah’s Literary Parables
  2. Robert Klevay
  3. pp. 129-147
  4. DOI: https://doi.org/10.1353/mss.2011.0028
  5. restricted access
  1. White Woman, Indian Chief: Beatrice Ravenel and the Poetic Consciousness of Captivity
  2. Rebecca Harrison
  3. pp. 151-177
  4. DOI: https://doi.org/10.1353/mss.2011.0029
  5. restricted access
  1. Ovid, Christians, and Celts in the Epilogue of Charles Frazier’s Cold Mountain
  2. Emily A. McDermott
  3. pp. 179-197
  4. DOI: https://doi.org/10.1353/mss.2011.0030
  5. restricted access
  1. General Lee and the Siren: Allen Tate’s Failed Biography
  2. Glenn C. Arbery
  3. pp. 199-218
  4. DOI: https://doi.org/10.1353/mss.2011.0031
  5. restricted access
  1. Man’s Way and Woman’s Way in The Autobiography of Miss Jane Pittman
  2. Daniel Thomières
  3. pp. 219-234
  4. DOI: https://doi.org/10.1353/mss.2011.0032
  5. restricted access
  1. Mongrel Virginia: Ellen Glasgow’s Barren Ground and the Curse of Tenancy
  2. Matthew Lessig
  3. pp. 235-269
  4. DOI: https://doi.org/10.1353/mss.2011.0033
  5. restricted access
  1. The Eros of Child and Cupid: Wendell Berry’s Agrarian Engagement with Ecofeminism
  2. Jeffrey Bilbro
  3. pp. 289-310
  4. DOI: https://doi.org/10.1353/mss.2011.0035
  5. restricted access
  1. Faulkner et le cinéma by Marie Liénard-Yeterian (review)
  2. Sarah Gleeson-White
  3. pp. 315-317
  4. DOI: https://doi.org/10.1353/mss.2011.0036
  5. restricted access