1. Editor’s Note
  2. DOI: 10.1353/mss.2011.0007
  3. restricted access contents
  1. “Waters of the Fountain Salmacis”: Metamorphosis and the Ovidian Subtext in William Faulkner’s Sanctuary
  2. Nicole J. Camastra
  3. pp. 323-340
  4. DOI: 10.1353/mss.2011.0000
  5. restricted access contents
  1. Faulkner’s Cryptic Closet: Forbidden Desire, Disavowal, and the “Dark House” at the Heart of Absalom, Absalom!
  2. Erin Pearson
  3. pp. 341-367
  4. DOI: 10.1353/mss.2011.0001
  5. restricted access contents
  1. Rope and Faggot: The Homoerotics of Lynching in William Faulkner’s Light in August
  2. Nathan Tipton
  3. pp. 369-391
  4. DOI: 10.1353/mss.2011.0002
  5. restricted access contents
  1. Framing Joe Christmas: Vision and Detection in Light in August
  2. Randall Wilhelm
  3. pp. 393-407
  4. DOI: 10.1353/mss.2011.0003
  5. restricted access contents
  1. Faulkner’s Oblique Presentations of John Browns
  2. David L. Vanderwerken
  3. pp. 409-422
  4. DOI: 10.1353/mss.2011.0004
  5. restricted access contents
  1. Lennie Snopes, A Closer Look
  2. Sigrid Hanson Fowler
  3. pp. 423-438
  4. DOI: 10.1353/mss.2011.0005
  5. restricted access contents
  1. A Note on Faulkner and The Stagolee/Faust Legends
  2. Jane Isbell Haynes
  3. pp. 439-442
  4. DOI: 10.1353/mss.2011.0006
  5. restricted access contents
  1. Miss Emily After Dark
  2. Thomas Robert Argiro
  3. pp. 445-465
  4. DOI: 10.1353/mss.2011.0008
  5. restricted access contents
  1. What’s in a Hymen?
  2. Richard Godden
  3. pp. 467-474
  4. DOI: 10.1353/mss.2011.0016
  5. restricted access contents
  1. All Too Thinkable? Thomas Argiro’s “Miss Emily After Dark”
  2. John T. Matthews
  3. pp. 475-480
  4. DOI: 10.1353/mss.2011.0018
  5. restricted access contents
  1. “Tobe! Show these gentlemen out”
  2. Donald M. Kartiganer
  3. pp. 480-482
  4. DOI: 10.1353/mss.2011.0017
  5. restricted access contents
  1. How Many Black Lovers Had Emily Grierson?
  2. Scott Romine
  3. pp. 483-491
  4. DOI: 10.1353/mss.2011.0019
  5. restricted access contents
  1. The Functions of Ambiguity: A Response to “Miss Emily After Dark”
  2. Thomas Bonner Jr.
  3. pp. 491-499
  4. DOI: 10.1353/mss.2011.0015
  5. restricted access contents
  1. Eudora Welty: American Artist Abroad and “The Burning”
  2. Pearl Amelia McHaney
  3. pp. 503-523
  4. DOI: 10.1353/mss.2011.0009
  5. restricted access contents
  1. Eudora Welty’s Sleeping Medusa
  2. Don James McLaughlin
  3. pp. 525-548
  4. DOI: 10.1353/mss.2011.0010
  5. restricted access contents
  1. Black Snake Moan as Postsouthern Fable
  2. M. Thomas Inge
  3. pp. 565-572
  4. DOI: 10.1353/mss.2011.0012
  5. restricted access contents
  1. Claiming the Unclaimable: Forrest Carter, The Education of Little Tree, and Land Claim in the Native South
  2. Gina Caison
  3. pp. 573-595
  4. DOI: 10.1353/mss.2011.0013
  5. restricted access contents
  1. New Explorations of Antebellum Southern Humor
  2. Ed Piacentino
  3. pp. 597-610
  4. DOI: 10.1353/mss.2011.0014
  5. restricted access contents
  1. Composing Selves: Southern Women and Autobiography by Peggy Whitman Prenshaw (review)
  2. Maureen Ryan
  3. pp. 614-616
  4. DOI: 10.1353/mss.2011.0020
  5. restricted access contents