1. Dead Women Talking: The Transgressive Manuscripts of Kate Chopin’s “Her Letters” and “Elizabeth Stock’s One Story”
  2. Margot Sempreora
  3. pp. 451-463
  4. DOI: 10.1353/mss.2012.0002
  5. free access
  1. Rattling the Cage: Homoeroticism, Sublimation, and Southern Mores in the Works of William Alexander Percy
  2. Betsy Nies
  3. pp. 465-489
  4. DOI: 10.1353/mss.2012.0003
  5. free access
  1. Sut Lovingood and the Germans
  2. Robert Dewalt
  3. pp. 491-515
  4. DOI: 10.1353/mss.2012.0004
  5. free access
  1. “The Piano Player at the Picture Show”: Virgie Rainey and Navigating High and Low in The Golden Apples
  2. Jason Dupuy
  3. pp. 517-531
  4. DOI: 10.1353/mss.2012.0005
  5. free access
  1. The Turn to the South: The Influence of Elizabeth Fox-Genovese’s Southern Studies
  2. David Moltke-Hansen
  3. pp. 557-576
  4. DOI: 10.1353/mss.2012.0007
  5. free access
  1. At the Threshold of the Plantation Household: Elizabeth Fox-Genovese and Southern Women’s History
  2. Laura F. Edwards
  3. pp. 577-589
  4. DOI: 10.1353/mss.2012.0008
  5. free access
  1. The Plantation Household Revisited: Elizabeth Fox-Genovese’s Contribution to Southern History
  2. Bertram Wyatt-Brown
  3. pp. 591-612
  4. DOI: 10.1353/mss.2012.0009
  5. free access
  1. The New New South in Poetry: Daniel Cross Turner’s Southern Crossings
  2. John Burt
  3. pp. 613-618
  4. DOI: 10.1353/mss.2012.0010
  5. free access
  1. Grit Lit: A Rough South Reader ed. by Brian Carpenter, Tom Franklin (review)
  2. Michael Kardos
  3. pp. 619-621
  4. DOI: 10.1353/mss.2012.0001
  5. free access
  1. The Intellectual in Twentieth-Century Southern Literature by Tara Powell (review)
  2. Anne Boyle
  3. pp. 622-624
  4. DOI: 10.1353/mss.2012.0000
  5. free access