1. Deftly Mixed: Liminal Identity and the Problem of Knowing in J. McHenry Jones’s Hearts of Gold
  2. Chad Jewett
  3. pp. 179-196
  4. DOI: 10.1353/mss.2013.0026
  5. free access contents
  1. Troublesome Comrades: Male Chauvinism and Revolutionary Engagement in Olive Dargan’s Call Home the Heart
  2. Anna Shannon Elfenbein
  3. pp. 197-213
  4. DOI: 10.1353/mss.2013.0020
  5. free access contents
  1. “The Modifying Colours” of Robert Penn Warren’s Dreams
  2. Joseph Boyne
  3. pp. 215-235
  4. DOI: 10.1353/mss.2013.0021
  5. free access contents
  1. Ordinary Genius in Eudora Welty’s “No Place for You, My Love”
  2. Carey Wall
  3. pp. 237-253
  4. DOI: 10.1353/mss.2013.0022
  5. free access contents
  1. “Not Even in the Language They Had Invented for Secrets”: Trauma, Memory, and Re-witnessing in Toni Morrison’s Love
  2. Katrina Harack
  3. pp. 255-278
  4. DOI: 10.1353/mss.2013.0027
  5. free access contents
  1. The “Less Fashionable” Influence of Max Beerbohm on Flannery O’Connor
  2. Donald E. Hardy
  3. pp. 279-302
  4. DOI: 10.1353/mss.2013.0028
  5. free access contents
  1. The Eyes of the Strange: Absalom, Absalom! and Domestic Modernism
  2. Amanda R. Gradisek
  3. pp. 317-337
  4. DOI: 10.1353/mss.2013.0030
  5. free access contents

Notes and Documents

  1. The Book of Common Prayer in the Midst of Ransom’s “Bells for John Whiteside’s Daughter”
  2. Ashby Bland Crowder
  3. pp. 339-342
  4. DOI: 10.1353/mss.2013.0031
  5. free access contents

Book Reviews

  1. The Sound and the Fury by William Faulkner (review)
  2. Lorie Watkins
  3. pp. 343-344
  4. DOI: 10.1353/mss.2013.0023
  5. free access contents
  1. Allen Tate: A Study in Southern Modernism and the Religious Imagination by Joseph Kuhn (review)
  2. Robert Dupree
  3. pp. 344-347
  4. DOI: 10.1353/mss.2013.0024
  5. free access contents