1. Deftly Mixed: Liminal Identity and the Problem of Knowing in J. McHenry Jones’s Hearts of Gold
  2. Chad Jewett
  3. pp. 179-196
  4. DOI: 10.1353/mss.2013.0026
  5. free access
  1. Troublesome Comrades: Male Chauvinism and Revolutionary Engagement in Olive Dargan’s Call Home the Heart
  2. Anna Shannon Elfenbein
  3. pp. 197-213
  4. DOI: 10.1353/mss.2013.0020
  5. free access
  1. “The Modifying Colours” of Robert Penn Warren’s Dreams
  2. Joseph Boyne
  3. pp. 215-235
  4. DOI: 10.1353/mss.2013.0021
  5. free access
  1. Ordinary Genius in Eudora Welty’s “No Place for You, My Love”
  2. Carey Wall
  3. pp. 237-253
  4. DOI: 10.1353/mss.2013.0022
  5. free access
  1. “Not Even in the Language They Had Invented for Secrets”: Trauma, Memory, and Re-witnessing in Toni Morrison’s Love
  2. Katrina Harack
  3. pp. 255-278
  4. DOI: 10.1353/mss.2013.0027
  5. free access
  1. The “Less Fashionable” Influence of Max Beerbohm on Flannery O’Connor
  2. Donald E. Hardy
  3. pp. 279-302
  4. DOI: 10.1353/mss.2013.0028
  5. free access
  1. The Eyes of the Strange: Absalom, Absalom! and Domestic Modernism
  2. Amanda R. Gradisek
  3. pp. 317-337
  4. DOI: 10.1353/mss.2013.0030
  5. free access
  1. The Book of Common Prayer in the Midst of Ransom’s “Bells for John Whiteside’s Daughter”
  2. Ashby Bland Crowder
  3. pp. 339-342
  4. DOI: 10.1353/mss.2013.0031
  5. free access
  1. The Sound and the Fury by William Faulkner (review)
  2. Lorie Watkins
  3. pp. 343-344
  4. DOI: 10.1353/mss.2013.0023
  5. free access
  1. Allen Tate: A Study in Southern Modernism and the Religious Imagination by Joseph Kuhn (review)
  2. Robert Dupree
  3. pp. 344-347
  4. DOI: 10.1353/mss.2013.0024
  5. free access