1. “Escaping from Gross Bondage”: The Divine Music of Augusta Jane Evans’s Beulah
  2. Rebeccah Bechtold
  3. pp. 139-165
  4. DOI: 10.1353/mss.2016.0015
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  1. The Grandissimes and Political Transition: The Threat of Genealogical Violence as Harbinger of Change
  2. Christopher Bollini
  3. pp. 167-184
  4. DOI: 10.1353/mss.2016.0016
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  1. Exceptional Infidelity: James Dickey’s Deliverance, Film Adaptation, and the Postsouthern
  2. Benjamin J. Murphy
  3. pp. 205-225
  4. DOI: 10.1353/mss.2016.0018
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  1. “It Aint Arkansas or No Real Place”: Authenticity and Textuality in Barry Hannah’s Post-South
  2. Clare Chadd
  3. pp. 227-252
  4. DOI: 10.1353/mss.2016.0019
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  1. Telling Time: Faulkner’s Temporal Turn
  2. George Thomas
  3. pp. 277-299
  4. DOI: 10.1353/mss.2016.0021
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