Texts/Contexts

  1. From the Editors Cinema: Labor
  2. Karen Pinkus, John David Rhodes
  3. pp. 3-5
  4. DOI: 10.1353/dia.2019.0000
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  1. Cinema’s Automatisms and Industrial Automation
  2. Mal Ahern
  3. pp. 6-33
  4. DOI: 10.1353/dia.2019.0001
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  1. In the Place of Labor’s Exhaustion: Ogawa Pro’s A Japanese Village
  2. Rei Terada
  3. pp. 34-55
  4. DOI: 10.1353/dia.2019.0002
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  1. Work/Space: Labor and Realism in the Cinema of Wang Bing
  2. Camille Bourgeus
  3. pp. 56-71
  4. DOI: 10.1353/dia.2019.0003
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  1. The Worker as Figure: On Elio Petri’s The Working Class Goes to Heaven
  2. Mauro Resmini
  3. pp. 72-95
  4. DOI: 10.1353/dia.2019.0004
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  1. Art Cinema’s Immaterial Labors
  2. John David Rhodes
  3. pp. 96-116
  4. DOI: 10.1353/dia.2019.0005
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  1. Contents: Volume 46
  2. p. 119
  3. DOI: 10.1353/dia.2019.0006
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