1. A Poet’s Prophetic Vocation: The Historical, Dramatic, and Literary Trajectories of Dante Alighieri’s Ecclesial Criticism
  2. Joshua Beckett
  3. pp. 573-590
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  1. The Conversion of Mary Rich, Countess of Warwick
  2. Raymond A. Anselment
  3. pp. 591-608
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  1. Blake and Byron; or, Art and Imagination After the Second Fall
  2. Jerome McGann
  3. pp. 609-630
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  1. “Cap, my little man, be a woman!”: The Hidden Hand and the Book of Judith
  2. Linda Naranjo-Huebl
  3. pp. 631-655
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  1. “Well, Heck": Confounding Grace in Harper Lee’s To Kill a Mockingbird
  2. Trevor Cook
  3. pp. 656-674
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  1. Mammon and God: Mapping Flannery O’Connor’s Atlanta
  2. Daniel Luttrull
  3. pp. 675-690
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  1. Ecological Endings and Eschatology: Margaret Atwood’s Post-Apocalyptic Fiction
  2. Deborah C. Bowen
  3. pp. 691-705
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  1. When Sketching Crucifixions
  2. Annette Barnes
  3. p. 706
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  1. Theodicy
  2. Toby Goostree
  3. p. 707
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  1. “Votive Tablet” and “Heaven”
  2. Kuno Raeber
  3. pp. 707-708
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  1. Medieval Artes Praedicandi: A Synthesis of Scholastic Sermon Structure by Siegfried Wenzel (review)
  2. Jodi Grimes
  3. pp. 709-712
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  1. The Revelation of Imagination: From Homer and the Bible through Virgil and Augustine to Dante by William Franke (review)
  2. Rebecca Dark
  3. pp. 713-716
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  1. The Forsaken Son: Child Murder and Atonement in Modern American Fiction by Joshua Pederson (review)
  2. Andrew Ball
  3. pp. 728-732
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  1. Devotions: Poems by Timothy Murphy (review)
  2. Maryann Corbett
  3. pp. 732-736
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