1. A Poet’s Prophetic Vocation: The Historical, Dramatic, and Literary Trajectories of Dante Alighieri’s Ecclesial Criticism
  2. Joshua Beckett
  3. pp. 573-590
  4. free access
  1. The Conversion of Mary Rich, Countess of Warwick
  2. Raymond A. Anselment
  3. pp. 591-608
  4. free access
  1. Blake and Byron; or, Art and Imagination After the Second Fall
  2. Jerome McGann
  3. pp. 609-630
  4. free access
  1. “Cap, my little man, be a woman!”: The Hidden Hand and the Book of Judith
  2. Linda Naranjo-Huebl
  3. pp. 631-655
  4. free access
  1. “Well, Heck": Confounding Grace in Harper Lee’s To Kill a Mockingbird
  2. Trevor Cook
  3. pp. 656-674
  4. free access
  1. Mammon and God: Mapping Flannery O’Connor’s Atlanta
  2. Daniel Luttrull
  3. pp. 675-690
  4. free access
  1. Ecological Endings and Eschatology: Margaret Atwood’s Post-Apocalyptic Fiction
  2. Deborah C. Bowen
  3. pp. 691-705
  4. free access
  1. When Sketching Crucifixions
  2. Annette Barnes
  3. p. 706
  4. free access
  1. Theodicy
  2. Toby Goostree
  3. p. 707
  4. free access
  1. “Votive Tablet” and “Heaven”
  2. Kuno Raeber
  3. pp. 707-708
  4. free access
  1. Medieval Artes Praedicandi: A Synthesis of Scholastic Sermon Structure by Siegfried Wenzel (review)
  2. Jodi Grimes
  3. pp. 709-712
  4. free access
  1. The Revelation of Imagination: From Homer and the Bible through Virgil and Augustine to Dante by William Franke (review)
  2. Rebecca Dark
  3. pp. 713-716
  4. free access
  1. The Forsaken Son: Child Murder and Atonement in Modern American Fiction by Joshua Pederson (review)
  2. Andrew Ball
  3. pp. 728-732
  4. free access
  1. Devotions: Poems by Timothy Murphy (review)
  2. Maryann Corbett
  3. pp. 732-736
  4. free access