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In this Issue

Table of Contents

  1. Moving Mountains: Glacial Contingency and Modernity in the Bergfilm
  2. Alex Bush
  3. pp. 1-22
  4. DOI: https://doi.org/10.1353/cj.2019.0064
  5. restricted access
  1. "Overlook the Poem, but Look the Picture Over": On the History of Poetry and American Silent Film
  2. Mike Chasar
  3. pp. 23-43
  4. DOI: https://doi.org/10.1353/cj.2019.0065
  5. restricted access
  1. Nightmares of a Nation: Israeli Horror-Satires Rabies and Big Bad Wolves
  2. Olga Gershenson, Dale Hudson
  3. pp. 44-65
  4. DOI: https://doi.org/10.1353/cj.2019.0066
  5. restricted access
  1. Facing the Camera: Black Actors and Direct Address in Independent Films of the 1960s
  2. Katherine Kinney
  3. pp. 66-88
  4. DOI: https://doi.org/10.1353/cj.2019.0063
  5. restricted access
  1. Representation without Recognition: A Survey of Arab American Images in Egyptian Cinema
  2. Waleed F. Mahdi
  3. pp. 89-111
  4. DOI: https://doi.org/10.1353/cj.2019.0062
  5. restricted access
  1. Culinary Entertainment, Creative Labor, and the Reterritorialization of White Masculinity
  2. Diane Negra, Yvonne Tasker
  3. pp. 112-133
  4. DOI: https://doi.org/10.1353/cj.2019.0061
  5. restricted access
  1. Media Studies and the Internet
  2. Derek Kompare
  3. pp. 134-141
  4. DOI: https://doi.org/10.1353/cj.2019.0072
  5. restricted access
  1. Networks before the Internet
  2. Grant Bollmer
  3. pp. 142-148
  4. DOI: https://doi.org/10.1353/cj.2019.0071
  5. restricted access
  1. Giant Pools of Content: Theorizing Aggregation in Online Media Distribution
  2. Andrew J. Bottomley
  3. pp. 149-156
  4. DOI: https://doi.org/10.1353/cj.2019.0070
  5. restricted access
  1. Why It Matters that Black Men and Queer Women Invented Digital Remix Culture
  2. Abigail De Kosnik
  3. pp. 156-163
  4. DOI: https://doi.org/10.1353/cj.2019.0069
  5. restricted access
  1. The Internet Suggests: Film, Recommender Systems, and Cultural Mediation
  2. Mattias Frey
  3. pp. 163-169
  4. DOI: https://doi.org/10.1353/cj.2019.0068
  5. restricted access
  1. Contributors
  3. p. 170
  4. DOI: https://doi.org/10.1353/cj.2019.0067
  5. restricted access
  1. Artificial Darkness: An Obscure History of Modern Art and Media by Noam M. Elcott (review)
  2. Brian R. Jacobson, Laura Isabel Serna
  3. pp. 171-178
  4. DOI: https://doi.org/10.1353/cj.2019.0078
  5. restricted access
  1. Amateur Movie Making: Aesthetics of the Everyday in New England Film, 1915–1960 ed. by Martha J. McNamara and Karan Sheldon, and: Main Street Movies: The History of Local Film in the United States by Martin L. Johnson (review)
  2. Liz Czach
  3. pp. 179-183
  4. DOI: https://doi.org/10.1353/cj.2019.0077
  5. restricted access
  1. House Full: Indian Cinema and the Active Audience by Lakshmi Srinivas (review)
  2. Jasmine Nadua Trice
  3. pp. 184-188
  4. DOI: https://doi.org/10.1353/cj.2019.0076
  5. restricted access
  1. Inhospitable World: Cinema in the Time of the Anthropocene by Jennifer Fay (review)
  2. Moira Weigel
  3. pp. 189-193
  4. DOI: https://doi.org/10.1353/cj.2019.0075
  5. restricted access
  1. Mock Classicism: Latin American Film Comedy, 1930–1960 by Nilo Couret (review)
  2. Lisa Shaw
  3. pp. 194-197
  4. DOI: https://doi.org/10.1353/cj.2019.0074
  5. restricted access
  1. Contributors
  3. p. 198
  4. DOI: https://doi.org/10.1353/cj.2019.0073
  5. restricted access