1. Correction
  2. DOI: 10.1353/lvn.2019.0045
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  1. Introduction
  2. Rodrigo Lazo
  3. pp. 7-10
  4. DOI: 10.1353/lvn.2019.0028
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  1. Discerning The Confidence-Man
  2. Samuel Otter
  3. pp. 11-23
  4. DOI: 10.1353/lvn.2019.0029
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  1. Women, Taste, Humor
  2. Justine S. Murison
  3. pp. 24-31
  4. DOI: 10.1353/lvn.2019.0044
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  1. The Confidence-Man and the Avatar
  2. Meredith Farmer
  3. pp. 32-42
  4. DOI: 10.1353/lvn.2019.0043
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  1. Poststructuralism and Paranoia
  2. Peter J. Bellis
  3. pp. 43-50
  4. DOI: 10.1353/lvn.2019.0042
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  1. The Political Economy of The Confidence-Man
  2. Matt Seybold
  3. pp. 51-59
  4. DOI: 10.1353/lvn.2019.0041
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  1. Anachronism and Other Obstructions: Critique and The Confidence-Man
  2. Russ Castronovo
  3. pp. 60-68
  4. DOI: 10.1353/lvn.2019.0040
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  1. Tracking Melville's "Dog-King": Creole Sympathies and Canine Warfare in the Americas
  2. Nicholas Spengler
  3. pp. 71-93
  4. DOI: 10.1353/lvn.2019.0033
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  1. "Fares all paid; digestion sound; care, toil, penury, grief, unknown": The Imposture of Mourning in The Confidence-Man
  2. Cate Louise Mahoney
  3. pp. 94-114
  4. DOI: 10.1353/lvn.2019.0039
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  1. "Shedding a Little Ink": Melville's Victorian War Poetry
  2. Thomas Dikant
  3. pp. 115-132
  4. DOI: 10.1353/lvn.2019.0038
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  1. Calculated Dialogues: Derwent's Imaginary Conversations in Clarel
  2. Dennis Berthold
  3. pp. 133-156
  4. DOI: 10.1353/lvn.2019.0037
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  1. Worms in the Heart: A Lament for Tom Deadlight
  2. Helen Steadman
  3. p. 159
  4. DOI: 10.1353/lvn.2019.0032
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  1. Herman Melville and the Politics of the Inhuman by Michael Jonik (review)
  2. Meredith Farmer
  3. pp. 163-166
  4. DOI: 10.1353/lvn.2019.0031
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  1. Books in Brief
  2. Dawn Coleman
  3. pp. 172-184
  4. DOI: 10.1353/lvn.2019.0035
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  1. All Astir
  2. Mary K. Bercaw Edwards
  3. pp. 187-195
  4. DOI: 10.1353/lvn.2019.0030
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  1. Mystic Seaport Museum's 34th Annual Moby-Dick Marathon
  2. Mary K. Bercaw Edwards
  3. pp. 196-204
  4. DOI: 10.1353/lvn.2019.0034
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