1. Incipit: L’Évolution du savoir et des sciences culturelles au XXIe siècle
  2. Marie-Pierre Le Hir, Guillaume Pinson
  3. pp. 1-31
  4. DOI: 10.1353/ncf.2019.0011
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Articles

  1. Dissonant Voices: Noise and the Criminal Leitmotiv in Vidocq and Victor Hugo
  2. Eliza Jane Smith
  3. pp. 32-48
  4. DOI: 10.1353/ncf.2019.0012
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  1. Que s’est-il passé en 1816? Lecture de La Vieille Fille de Balzac: Essai de gynéco-histoire
  2. Éléonore Reverzy
  3. pp. 49-63
  4. DOI: 10.1353/ncf.2019.0013
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  1. La Sibylle” as Ghost Work in Hugo’s La Fin de Satan
  2. Simon Rogghe
  3. pp. 64-79
  4. DOI: 10.1353/ncf.2019.0014
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  1. The Incorporation of Thought in Victor Hugo’s “Le Satyre”
  2. Katherine Lunn-Rockliffe
  3. pp. 80-97
  4. DOI: 10.1353/ncf.2019.0015
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  1. The Medieval and the Modern in Baudelaire’s “À une passante”
  2. Julia Caterina Hartley
  3. pp. 98-113
  4. DOI: 10.1353/ncf.2019.0016
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  1. Styles of Life, Poéthique, and Irony in Charles Baudelaire
  2. Joseph Acquisto
  3. pp. 114-129
  4. DOI: 10.1353/ncf.2019.0017
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  1. Landscapes and Perceptual Distortions in Proust
  2. Darci Gardner
  3. pp. 130-148
  4. DOI: 10.1353/ncf.2019.0018
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  1. Facing the Science-Fictional Other: Human-Alien Contact in J.H. Rosny aîné’s Les Xipéhuz
  2. Christina Lord
  3. pp. 149-165
  4. DOI: 10.1353/ncf.2019.0019
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